Commando 3 and Airlift-fame sensation Feryna Wazheir has shared some interesting pics celebrating Holi. Of course, the year being 2021, with everyone mostly indoors due to Coronavirus restrictions, Feryna is seen celebrating at home this year.
Tracking some of House Next Door and REJCTX-fame actress Anisha Victor’s escapades by the moon and the stars and pools and the sea.
Actress and celebrity host Kanu Priya who recently directed and produced the successful supernatural fiction show Ardhsatya for the OTT platform Watcho, has a unique take about how people should deal with the Coronavirus pandemic.
Sharing her viewpoint on social media, the soul-searching actress says, “COVID-19 is not a fight. Its a journey of surrender.” Elaborating on what she means, she explains how people need to look within for real solutions. “Surrender to the higher self and accept our mistakes.”
Kanu Priya remarks that humans are used to fighting for survival in moments of crisis. We come together, stand up for each other, and feel we have won the battle. The actress feels, “we are all doing it wrong. We are quarantined. We are sitting at our homes with family. Our core has got corrupted which can only be healed by sitting in stillness and alone. Others can’t make us see our darkness. We know about it, but we are not learning our lessons.”
“We don’t need to be together in this battle. The enemy is not outside. Doctors, nurses, police, house-keeping staff and others were doing their job earlier too. But now we have made them Gods and saints. We have put them on a very high pedestal. Appreciating someone’s work, and giving them a God’s status, are two different things. Instead of messiah complexes, we should be finding the real reason for this pause.”
Kanu Priya feels this issue will not go away. “COVID-19 is not a collective fight, it’s an individual battle and till the time we do not accept that, we will not allow our inner demons and darkness to come out,” she analyses.
“It’s not going to be easy to face our inner self, hatred, fears, karmas. But I can assure you, there’s enough light for your darkness to go away. Because deep down, beyond our darkness is our Godliness. It wants to emerge now. Give it space. Clear it up. Let the light shine.”
For the record, before the web series Ardhsatya, Kanu Priya has been known for her international hit shows include Awakening With Brahma Kumari, Subah Savere, Mann Ki Baat and Evening Live Show. She’s been an integral part of the entertainment industry for over 25 years.
Kanu Priya is also the founder and CEO of Noida-based media company Gul Guncha Arts and also runs the Actor Unveiled Acting Academy. A truly multifaceted lady, she believes in using the power of mass media to bring a global change in the world.
Close on the heels of the stupendous success of Nitesh Tiwari’s Chhichhore, National Award-winning makeup and prosthetic character design specialist is coming up with not one, two, but three stunners. And all the three films have taken the film industry imagination by storm.
Yes! We are talking about none other than the three baldie looks of Bollywood, which are the talk of the town from a while now. The wiz behind the looks of Akshay Kumar as Bala in the Farhad Samji-directed Housefull 4, Ayushmann Khurrana in Amar Kaushik’s movie Bala and Sunny Singh in Abhishek Pathak’s Ujda Chaman, is look designer Preetisheel Singh.
What has particularly surprised many, is the fact that inspite of all the three looks being of men going bald, Preetisheel has deftly designed them in a way that all of them look ending different on the screen. While Akshay has an imposing mouche to go with the look, Ayushmaan has a receding hairline, and Sunny Singh has a moustache and stubble to match his balding look.
It can be noted here that Preetisheel even received accolades for her transformational look makeovers in movies like Padmaavat, Mom, 102 Not Out, Mulk and Thackeray some time ago.
She is now excited for her forthcoming releases which include an interesting mix of movies like the Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.
What’s more! The talented lady is also preparing to launch the ‘Preetisheel School of Character Design’ at her new sprawling office and workshop of her company ‘Da Makeup Lab’ at Versova, Mumbai.
If the trailer of Nitish Tiwari’s Chhichhore and teaser of Amar Kaushik’s Bala are anything to go by, the audiences are in for a visual treat in terms of look transformations of the main cast. And the lady behind the looks of the entire lead cast in the films — India’s numero uno makeup, hair and prosthetic designer Preetisheel Singh — has good reason to feel proud.
Both the movies have actors in their aging avatars and Preetisheel’s work has been receiving a new wave of accolades, after all the recognition it received earlier for films like Padmaavat, Bajirao Mastani, Andhadhun, Mom, Mulk, 102 Not Out, Thackeray and many others.
“Look transformations are an integral part of the storylines of both these movies, and it was a challenge and responsibility for me to make them look convincing and believable. I am so happy people are appreciating my work,” says a modest Preetisheel, who’d won the ‘National Film Award for Best Makeup’ for her very first film — the pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak.
She makes it a point to thank the filmmakers of all her movies for putting their trust and faith in her work. “Without their faith, I wouldn’t have been able to do all this,” she says. Having taken her career graph a few steps further towards more recognition and glory, the lady has no time for a breather. The next few months have her working on a dozen films back-to-back, as well as starting the ‘Preetisheel School of Character Design’ at Versova, Mumbai.
Some of the forthcoming movies in her kitty include the Akshay Kumar-starrer Housefull 4, Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.
The list of achievements for National Award-winning makeup and prosthetics designer Preetisheel Singh haven’t stopped from the day she set foot in the world of make-believe.
“They say, Bollywood is a place where dreams are made. So what better than a profession which helps makes those dreams a reality,” quips Preetisheel, who has designed the looks of actors for some of the topmost movies in Bollywood like Umesh Shukla’s 102 Not Out and Sajid Nadiadwala’s Housefull 3, along with Sanjay Leela Bhansali’s Bajirao Mastani and Padmaavat.
Her work for the pre-Mughal epic Nanak Shah Fakir directed by Sartaj Singh Pannu bagged her the coveted National Film Award for Best Makeup, while her talent will soon be showcased again in Anubhav Sinha’s Mulk, where Rishi Kapoor will appear in the look of a devout Muslim. Then there is the Nawazuddin Siddiqui-starrer Thackeray — the biopic on Shiv Sena supremo Balasaheb Thackeray, presented by Sanjay Raut and directed by Abhijit Panse.
So what does it take to create different looks? “Prosthetic has a lot of parts involved in it. You first take the life cast of the actor in 3D measurement after which you sculpt and make moulds, running silicon pieces in it,” explains Preetisheel.
“The silicon pieces are then applied on the actor and are merged with the actor’s skin so that it doesn’t look artificial. So tomorrow if a filmmaker comes up and has the requirement for an alien creature, we can do it. In fact, it will be good fun and I’d love to create aliens for Bollywood.”
Is the whole process very time-consuming? “When we look at characters with prosthetics on screen, we do not realize how much time and effort goes behind the scenes. The whole process involves a lot of visualization, planning, detailing, art and finally time. But the end result is worth the energy spent,” she concludes with a smile.
Basking in the glory of the success of 102 Not Out, its makeup, hair and prosthetic designer Preetisheel Singh is almost in a daze from a week. The Amitabh Bachchan–Rishi Kapoor starrer brilliantly directed by Umesh Shukla has been a runaway hit with audiences and critics alike.
Ace film reviewer Kunal Guha of Mumbai Mirror points out that both (Bachchan and Kapoor) “internalize their screen personas to an extent that one often forgets the actors are under the layers of prosthetic.”
“Speaking of which, makeup and prosthetic artiste Preetisheel Singh is meticulous in her vision and execution and drafts faces that elaborately convey both their personalities. Even the strands of hair that sits on their head seem to be custom-woven to the brief—the father’s — unkempt and carefree, while the son’s — usually neatly parted, keeping with his orderly manner,” he writes.
Bollywood Hungama echoes, “The review would be incomplete without the mention of Preetisheel Singh’s makeup, hair and prosthetic. She gives a great look to both the veteran actors which also turns out to be the film’s USP.”
Covering Preetisheel for News18, journalist Mugdha Kapoor Safaya says, “It would be an understatement to only call her a makeup and prosthetic artiste. Perhaps, the term makeover whiz seems more appropriate.”
“While Amitabh Bachchan and Rishi Kapoor are to be credited for getting into the vibe of the characters, prosthetic artiste Preetisheel Singh deserves credit for the amazing physical transformation the actors underwent. With each look that she designs, Preetisheel provides an accurate physical aid to the characters being portrayed,” writes Urban Asian journalist Diana Lydia Parmar on social media.
“I’m humbled by the stupendous praise. 2018 has been a breathtakingly amazing year for me,” says Preetisheel, who emerged Bollywood’s No.1 look designer after she curated the looks for Ranveer Singh, Shahid Kapoor and Deepika Padukone in Sanjay Leela Bhansali’s blockbuster Padmaavat.
This year also saw the re-release of the Sartaj Singh Pannu-directed Nanak Shah Fakir which got Preetisheel the National Film Award for Best Makeup. But the lady has no time to slow down. Her work will soon be showcased in the Harshvardhan Kapoor-starrer Bhavesh Joshi Superhero directed by Vikramaditya Motwane, followed by the Nawazuddin Siddiqui-starrer Thackeray — the biopic on Shiv Sena supremo Balasaheb Thackeray, presented by Sanjay Raut and directed by Abhijit Panse. For Preetisheel, it looks like the year has just begun.
Recently, while preparing for the shoot of Umesh Shukla’s 102 Not Out, makeup, hair and prosthetic designer Preetisheel Singh got busy working on the look of veteran actor Rishi Kapoor.
The much-awaited film has Kapoor playing a 75-year-old grumpy son to a 102-year-young cheerful Amitabh Bachchan. Its trailer and songs, including Badumbaa and Bachche Ki Jaan Loge Kya, are already a hit.
“Rishi Sir said he found the look seamless and flawless,” recalls Preetisheel. Saying that it looked extremely real, the veteran actor called her a “magician”. “A comment so flattering from a person of his talent and stature is something I will cherish for life,” quips the makeover wiz.
It’s been a roller coaster ride for Preetisheel this year. After garnering acclaim for her work in Sanjay Leela Bhansali’s Padmaavat where she designed the looks for the complete cast along with Ranveer Singh, Shahid Kapoor and Deepika Padukone, she went on to win the Power Brands – Bollywood Film Journalists Award too.
Meanwhile, her film Nanak Shah Fakir, which bagged her the National Film Award for Best Makeup, has been re-released by Viacom18 Motion Pictures, albeit amidst controversy.
Next, the lady is looking forward to Vikramaditya Motwane’s Bhavesh Joshi Superhero starring Harshvardhan Kapoor and working on Nawazuddin Siddiqui’s look for the Abhijit Panse-directed movie Thackeray; the biopic on Shiv Sena supremo Bal Thackeray.
POINTERS: National Award-winning make-up, hair and prosthetic designer Preetisheel Singh
After Bajirao Mastani, Sanjay Leela Bhansali repeated Preetisheel Singh for Padmaavat. She designed the looks of all the main starcast including Ranveer Singh (as the evil ruler Alauddin Khilji), Deepika Padukone (as the legendary queen Padmavati) and Shahid Kapoor (as the Rajput ruler Ratan Singh). Viewers and film critics alike, have been awestruck with the results, with Preetisheel emerging the undisputed No.1 make-up, hair and prosthetic designer in the film industry.
Videos of look tests during the making of Padmaavat:
Preetisheel has created the look for Nawazuddin Siddiqui’s in Thackeray… the biopic being made on Shiv Sena supremo Balasaheb Thackeray. Its teaser was released some time ago by Uddhav Thackeray and Amitabh Bachchan and received widespread critical acclaim.
She has worked on Nawazuddin Siddiqui’s look earlier too in the movie Mom, where her make-up and prosthetic work was highly appreciated.
She has also done the make-up and prosthetic for actors in films like Shivaay, Haider, Hawaizaada, Housefull 3, Rangoon, Brothers, Talwar, Finding Fanny, Parched, Ghayal Once Again and the Tamil/Hindi film 24.
After Padmaavat, Preetisheel has also begun receiving a lot of offers down South. She has just accepted a Tamil film called Boomerang, where she is working on the looks for famous Tamil actor Ataharvaa Murali.
She received the ‘National Film Award for Best Makeup’ for the pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak, wherein she designed the looks for all the characters in the movie. The film has recently re-released through Viacom18 Motion Pictures amid controversy.
Preetisheel’s work of creating believable ghost-figures for the recent horror film House Next Door has also been praised a lot. The film, which released in three languages (as House Next Door in Hindi, as Aval in Tamil and Gruham in Telugu) garnered critical acclaim and once again earned a lot of positive reviews for her work.
For the upcoming film 102 Not Out directed by Umesh Shukla, Preetisheel has designed the looks for Amitabh Bachchan as a 102-year-old man, as well as for Rishi Kapoor playing his 75-year-old son. Its trailer and songs, including Badumbaa and Bachche Ki Jaan Loge Kya are already a rage.
She is also working on Rishi Kapoor’s look of a devout Muslim in Anubhav Sinha’s Mulk. https://bit.ly/2zvKG5a
Apart from Mulk and Thackeray, her work as a make-up, hair and prosthetic designer will soon be showcased once again in upcoming movies such as Vikramaditya Motwane’s film Bhavesh Joshi Superhero starring Harshvardhan Kapoor. Its teaser has just released, revealing Harshvardhan’s look as a vigilante and it’s been the talk of the town.
After this, there is Pal Pal Dil Ke Paas, the debut film of Sunny Deol’s son Karan Deol.
Preetisheel has also set up India’s first make-up and prosthetic lab called Da Makeup Lab and her goal is to bring standards of make-up and prosthetic in India at par with Hollywood.
While most celebs headed to felicitation events, seminars or posted their views on Twitter on International Woman’s Day, there was one who went through dust and grind. Actress and fashion philanthropist Evelyn Sharma joined some prominent women leaders from different fields in an initiative to build homes for underprivileged women.
The Yeh Jawaani Hai Deewani actress who was last seen speaking at Donald Trump’s National Prayer Breakfast in Washington, drove down to the little city of Karjat adjoining the Sahyadri Western Ghats near the banks of the River Ulhas in Maharashtra, to participate in a house building activity arranged under the campaign ‘WOMEN BUILD India’ by the Habitat for Humanity organization. Evelyn is the youth ambassador for their ‘Young Leaders BUILD’ movement.
In Karjat, Evelyn volunteered to build a home for Changuna Sarai who lives in Sarai Wadi with her family. Changuna and her husband Suresh Sarai are agricultural labourers. With their meager daily wages, they try to make ends meet. To add to their difficulties is a lack of proper sanitation facilities for her three daughters who are growing up.
Overjoyed with the development, Changuna said, “My husband, my daughters and myself; we live with our extended family. We are ten members in all and have been living in an extremely small house. Our condition has affected the education of my daughters. The new house is a dream come true for our family. Now we won’t have to worry about a roof over our daughters heads.”
‘WOMEN BUILD India’ is a part of Habitat for Humanity’s strategy that aims to achieve holistic community development with shelter and sanitation at its core. Its objective is to make ‘Housing for All’ and ‘Swachh Bharat Abhiyan’ a reality by 2020.
“It is encouraging to see how the Government of India is addressing these needs through various campaigns. As women leaders from different fields, we must play a part. This was one of the best days of my life,” quipped Evelyn who is also the founder and managing director of Seams For Dreams Charity Foundation. Attagirl!
Ever wondered how Rekha has managed to look enigmatically young throughout her life! What does Katrina Kaif do to be the best bod in Bollywood! What is it that makes Sonam Kapoor seem to have a flawless complexion! And what is the secret behind that neighbourhood bombshell who attracts stares and glares as she steps out of her house!
Actress Soma Mangnaanii who was seen in the popular Zee TV show Jabb Love Hua, plans bring some of the most exciting revelations about beauty behind stars and laymen alike, with a television series on beauty secrets.
While she is in talks with production houses as well as channels for the show, Soma reveals that “the unique part about the series is that it’s going to take the viewer back in time, when beauty was not only about looking hot and sexy, but also a thing about the feeling from within.”
The actress is also the Secretary for BJP’s Sindhi Cell in Bandra, Mumbai. She earlier contested the local polls as an independent candidate from Bandra locality, and even hopes to represent the party in the upcoming BMC elections in February 2017.
Apart from acting and politics, the multi-faceted Soma dabbles in painting, designing, luxury brands and runs an NGO called Muktangan International Foundation. She has also hosted the horse-racing programme The Winning Post on Ten Sports, done advertisements, Bollywood events, music videos, and even acted in the Kollywood superhit Lesa Lesa directed by Priyadarshan.