“All Bollywood actresses need to understand and accept that controversies are a ‘business’ for media. Only when they adapt, is when they will be able to take advantage of the situations media presents. Otherwise, they’ll risk resisting change, till a new generation comes and laps it up.” -Dale Bhagwagar
Close on the heels of the stupendous success of Nitesh Tiwari’s Chhichhore, National Award-winning makeup and prosthetic character design specialist is coming up with not one, two, but three stunners. And all the three films have taken the film industry imagination by storm.
Yes! We are talking about none other than the three baldie looks of Bollywood, which are the talk of the town from a while now. The wiz behind the looks of Akshay Kumar as Bala in the Farhad Samji-directed Housefull 4, Ayushmann Khurrana in Amar Kaushik’s movie Bala and Sunny Singh in Abhishek Pathak’s Ujda Chaman, is look designer Preetisheel Singh.
What has particularly surprised many, is the fact that inspite of all the three looks being of men going bald, Preetisheel has deftly designed them in a way that all of them look ending different on the screen. While Akshay has an imposing mouche to go with the look, Ayushmaan has a receding hairline, and Sunny Singh has a moustache and stubble to match his balding look.
It can be noted here that Preetisheel even received accolades for her transformational look makeovers in movies like Padmaavat, Mom, 102 Not Out, Mulk and Thackeray some time ago.
She is now excited for her forthcoming releases which include an interesting mix of movies like the Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.
What’s more! The talented lady is also preparing to launch the ‘Preetisheel School of Character Design’ at her new sprawling office and workshop of her company ‘Da Makeup Lab’ at Versova, Mumbai.
If the trailer of Nitish Tiwari’s Chhichhore and teaser of Amar Kaushik’s Bala are anything to go by, the audiences are in for a visual treat in terms of look transformations of the main cast. And the lady behind the looks of the entire lead cast in the films — India’s numero uno makeup, hair and prosthetic designer Preetisheel Singh — has good reason to feel proud.
Both the movies have actors in their aging avatars and Preetisheel’s work has been receiving a new wave of accolades, after all the recognition it received earlier for films like Padmaavat, Bajirao Mastani, Andhadhun, Mom, Mulk, 102 Not Out, Thackeray and many others.
“Look transformations are an integral part of the storylines of both these movies, and it was a challenge and responsibility for me to make them look convincing and believable. I am so happy people are appreciating my work,” says a modest Preetisheel, who’d won the ‘National Film Award for Best Makeup’ for her very first film — the pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak.
She makes it a point to thank the filmmakers of all her movies for putting their trust and faith in her work. “Without their faith, I wouldn’t have been able to do all this,” she says. Having taken her career graph a few steps further towards more recognition and glory, the lady has no time for a breather. The next few months have her working on a dozen films back-to-back, as well as starting the ‘Preetisheel School of Character Design’ at Versova, Mumbai.
Some of the forthcoming movies in her kitty include the Akshay Kumar-starrer Housefull 4, Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.
Just out from the jaws of death; headed to a beauty pageant
True strength comes with resilience, perseverance and persistence. And if there is one lady who is currently epitomizing this, it is Mrs. India Guyana Kristal Inshan. The beauty queen from Georgetown, Guyana, was all excited to participate in the Mrs. India Worldwide beauty pageant at The Leela, Mumbai, in the first week of September 2019.
The event is about to witness the most beautiful and talented contestants from over 40 countries, competing for the Miss and Mrs. India Worldwide titles, judged by a celebrity panel of judges, with a host of guests expected from Bollywood and Hollywood.
But a week ago, Kristal suffered a life-threatening accident in her hometown in South America. The car she was travelling in, overturned, flipped over three times and crashed on the sidewalk. It was a ghastly crash, just like we see in the movies — only that, this was for real. Kristal, who was on the back seat, miraculously survived — albeit with bleeding cuts, scrapes and bruises. She was rushed to the nearest hospital, where she lay shaken.
Imagine the shock and trauma she would have undergone. Anyone in her place would have cancelled her trip to Mumbai and given herself time and rest to recuperate and recover. But not Kristal. She decided she had to take life head on, with a confident smile. Healing from her injuries and a limp, she is ignoring her pain and preparing to go ahead with the upcoming pageant in Mumbai.
Apart from being a successful model, Kristal is also a fashion designer and women empowerment speaker. Arriving in a few days in the bustling city of dreams, Kristal intends to take a day off on the beaches of Mumbai and focus on the Mrs. India Worldwide pageant.
We’re almost speechless, hearing about this lady’s grit and determination. From so many years, we have heard countless pageant contestants talk so much about strength and resilience on stage. But what Kristal is doing right now, is a living example of all that and more! Just out from the jaws of death, and headed to a beauty pageant — that is something! We salute her strength as our heart goes out to her.
“Actress Kajol kick-started her career in the showbiz in the 90s when the PR machinery was not in force. In the 90s, it was all about how actors conducted themselves in front of the media without the help of any PRs,” says an article on Bollywood Bubble.
However, Bollywood’s only PR guru Dale Bhagwagar has reacted in disagreement. “It’s incorrect to say that strong PR didn’t exist in the 90s. I’ve myself handled more than a dozen clients at any given time during the 90s too,” he tweeted.
“Though Kajol is a diva, Bollywood Bubble seems to be bumbling with ignorance about entertainment PR,” laughs Dale, who has handled the media for Hrithik Roshan, Shilpa Shetty, Priyanka Chopra and films like Shah Rukh Khan-starrer Don and Farhan Akhtar-starrer Rock On!!, apart from being a crisis management specialist to umpteen Bigg Boss contestants over the years.
“During the 90’s, there have been great PRs such as Gopal Pandey, RR Pathak, Raju Kariya, Ajit Ghosh, Hilla Sethna, Keshav Rai, Harish Sharma, Susheel Sharma, Peter Martis, Parag Desai, Indermohan Pannu, Shahid Khan, Arun-Gaja and Rajendra Rao.”
“They have planned elaborate publicity campaigns, advised and guided actors with image-building, have been an integral part of PR strategies, and wielded much more influence on media than most of the current publicists. I know, because I have been there,” says the publicist who started out in PR in the 90s and went on to become a trendsetter.
Dale is one of the few actively surviving Bollywood publicists of that time and still leads the PR brigade in innovation. A simple search with his name brings up thousands of web results. The PR expert points out that public relations existed in tinsel town much before the 90s. “Bollywood PR has been thriving since the days of Raj Kapoor, Dev Anand, Sunil Dutt and Dilip Kumar,” remarks Dale, who also handled personal PR for Dev Anand as well as his last film Chargesheet.
“We have had PR greats such as VP Sathe whose publicity agency had a monopoly over media campaigns in the 50s and 60s. And then Bunny Reuben, who handled the PR for Raj Kapoor and films of Yash Chopra, BR Chopra, Basu Bhattacharya and GP Sippy. It’s been boom-time for PRs all the way since then.” Point taken.
The list of achievements for National Award-winning makeup and prosthetics designer Preetisheel Singh haven’t stopped from the day she set foot in the world of make-believe.
“They say, Bollywood is a place where dreams are made. So what better than a profession which helps makes those dreams a reality,” quips Preetisheel, who has designed the looks of actors for some of the topmost movies in Bollywood like Umesh Shukla’s 102 Not Out and Sajid Nadiadwala’s Housefull 3, along with Sanjay Leela Bhansali’s Bajirao Mastani and Padmaavat.
Her work for the pre-Mughal epic Nanak Shah Fakir directed by Sartaj Singh Pannu bagged her the coveted National Film Award for Best Makeup, while her talent will soon be showcased again in Anubhav Sinha’s Mulk, where Rishi Kapoor will appear in the look of a devout Muslim. Then there is the Nawazuddin Siddiqui-starrer Thackeray — the biopic on Shiv Sena supremo Balasaheb Thackeray, presented by Sanjay Raut and directed by Abhijit Panse.
So what does it take to create different looks? “Prosthetic has a lot of parts involved in it. You first take the life cast of the actor in 3D measurement after which you sculpt and make moulds, running silicon pieces in it,” explains Preetisheel.
“The silicon pieces are then applied on the actor and are merged with the actor’s skin so that it doesn’t look artificial. So tomorrow if a filmmaker comes up and has the requirement for an alien creature, we can do it. In fact, it will be good fun and I’d love to create aliens for Bollywood.”
Is the whole process very time-consuming? “When we look at characters with prosthetics on screen, we do not realize how much time and effort goes behind the scenes. The whole process involves a lot of visualization, planning, detailing, art and finally time. But the end result is worth the energy spent,” she concludes with a smile.
Bollywood has been raging with the debate on nepotism ever since Kangana Ranaut struck uneasy chords about it in her confrontation with Karan Johar. Talking about how the Indian film industry has a bias towards talent born into industry families, she begun a discussion which refuses to die. But amidst all the mud-slinging on the topic, one never imagined it would be portrayed in the form of a story.
But that’s what theatre and film actor Ashok Chaudhary’s character in the American Off-Broadway play The Music In My Blood is all about. The play has the Indian-American playing a character of Vikram; an aspiring singer who does not belong to any affluent musical family, but dreams of becoming a famous singer like the yesteryear greats Mohammed Rafi and Kishore Kumar.
“Vikram goes through the journey of a careless student hailing from a lower strata of society, persevering to learn Hindustani classical music and finally transforming himself into a great musician,” informs Ashok.
“His character redefines the play’s title The Music in My Blood and proves that one does not have to be born in an artistic family to be a great performer. With sheer talent and dedication, the character proves that nepotism can be crushed,” he adds.
Interestingly, the play’s narration is creatively moved forward in the form of a ghost of Walter Kaufmann, a Jewish refugee to India during the Second World War, who gave India the iconic All India Radio signature tune and fell in love with the music of the land.
Ashok is touched by the audience response. “After the play, viewers come up to me in a very emotional state, some even with moist eyes. They identify with the character which seems to rake up their pent up emotions and unfulfilled dreams. Such a soul-stirring response is heart-warming and heartbreaking at the same time,” remarks Ashok.
He will next be seen playing a spy in Eshwar Gunturu’s Bollywood film Code Name Abdul which stars Tanishaa Mukerji in the lead.
Move over Rani Padmavati… Rani Vindhyavati is here.
Southern actress Poonam Kaur who will be seen romancing television heartthrob Karan Singh Grover in the upcoming Bollywood flick 3 Dev, has bagged the lead role of Rani Vindhyavati in the mega-hyped Telugu historical TV series Swarna Khadgam, being made by makers of the magnum opus Bahubali.
While the mega-series is being produced by ARKA Media Works, the makers of Bahubali, Poonam’s role of the queen is said to be similar to that of the popular character of Devasena who rocked in the blockbuster.
“Here’s presenting Queen ‘Vindhyavati’; the symbol of #love, #justice & #sacrifice from #SwarnaKhadgam by #ARKA media #ComingSoon,” tweeted Poonam, along with a sneak-peak video of the upcoming TV series. Its reported that the series may be dubbed in Hindi as well as many other languages.
Poonam has been in the news for some time in the Southern media for her bold and daring statements. Recently, she created a lot of buzz when she tweeted about being backstabbed by a filmmaker who cast her and then went on to make the film with another actress. It bombed miserably, apparently leaving the filmmaker devastated.
With her new sensational avatar, the Southern media has been chasing Poonam for quotes and statements. But the lady is busy making a mark with the promos and songs of Ankoosh Bhatt’s madcap comedy 3 Dev. One of the songscalled Nikamma featuring her and Karan has received a mind-boggling amount of hits on YouTube. Way to go!
Bollywood and Punjabi films heartthrob Diljit Dosanjh shocked Hollywood actor Alex Reece when he gave him a shout-out from the stage of his music concert in London.
After working in quite a few British and Hollywood movies, this year Alex made his debut in Indian cinema. He played the negative lead opposite Diljit in the Punjabi film Sajjan Singh Rangroot directed by Pankaj Batra, and is now looking at playing more villainous roles in Bollywood next.
Diljit’s production team had arranged VIP passes for Alex and some other cast and crew members of the movie to attend his live concert at Wembley arena in London. Alex was already feeling overwhelmed witnessing the humongous fan-craze for Diljit at the musical event, when all of a sudden Diljit mentioned him amidst a packed crowd of 12,000 fans.
Recognizing him has Diljit’s co-star, some of his ultra-lively Punjabi fans in the crowd instinctively lifted Alex on their shoulders and started dancing. “I was so surprised and overjoyed, I almost froze,” laughs the Hollywood actor.
“It took me a while to get hold of my thoughts. I have never witnessed such fervor and frenzy in my life,” exclaims Alex, who is well-known for his appearance in a mega-budget James Bond commercial starring Daniel Craig.
“Even during the making of the film, Diljit always made it a point to praise me and appreciate my work. But with this live shout-out from stage, he took it to just another level. This was one of the most exhilarating moments of my life and I will never forget his gesture,” says Alex.
Southern sensation Poonam Kaur is all set to make her Bollywood debut opposite television heartthrob Karan Singh Grover in Ankoosh Bhatt’s madcap comedy 3 Dev releasing soon.
Having proved her mettle in the South with over 20 films including Tamil, Telugu, Kannada and Malayalam flicks, Poonam has been known to be one of the most expressive actresses there — and going by her Facebook followers touching five million, one can safely say, a very popular one too. Currently, she is also playing the lead in the mega-hyped Telugu historical TV series Swarna Khadgam, being made by the makers of the magnum opus Bahubali.
Poonam’s beauty with a dazzling smile has often been compared to that of yesteryears actresses Madhubala and Divya Bharti. Having studied fashion technology from Delhi, she is no novice to the world of glamour. Before entering movies, Poonam was crowned Miss Andhra as she won the Lux Miss Andhra Beauty Pageant.
Thereafter, she went on to win the Miss Talented title in Femina Miss India South and has been nominated multiple times for Filmfare Best Supporting Actress roles in the South.
In 3 Dev, Poonam will be seen playing the character of the dainty Radha, while her song Nikamma with Karan Singh Grover has already been scaling great popularity on YouTube.
The film’s director Ankoosh Bhatt says, “When we began casting for the role, my casting director suggested Poonam’s name. We needed someone sweet, bubbly and very emotive to play Radha and she fit the bill perfectly. Her experience in the South helped tremendously. She required no hand-holding and got into the character in no time.”
Poonam is equally charged about her Bollywood debut. “The character has interesting dimensions, which not only made it appealing to play, but challenging too. Plus, the team of the film was always very warm and supportive. They made me feel at home. Now I have my fingers crossed for the release and waiting for some divine dev-devta magic to happen,” she chirps.
British actor Alex Reece who has acted in Hollywood flicks is also known for his appearance in a mega-budget James Bond commercial starring Daniel Craig. But when the actor decided to do Indian movies, he wasn’t sure he would be welcomed in the industry.
His skepticism has been proved wrong by popular Bollywood and Punjabi cinema star Diljit Dosanjh, with whom Alex made his debut playing the villain in the recently released Punjabi film Sajjan Singh Rangroot directed by Pankaj Batra.
Impressed with Alex’s work as the negative lead, Diljit who plays the title role of Sajjan Singh (with rangroot meaning, new recruit), called Alex a very good actor on Instagram and went on to tweet, “Alex, you are our fav.”
“I was really touched by his gesture,” says Alex. “Diljit is such a fine actor, an out and out charmer. A popular star like him praising me publicly, has made me feel very comfortable starting out in the Indian industry,” says Alex.
Apart from the stellar performances by its starcast, the period film has been praised for its authenticity in accurately depicting the anguish and turmoil of soldiers of a Sikh regiment fighting for the British Army during World War I. Fans of Diljit are expecting the film to be dubbed and released in Hindi soon.
Alex is now taking Hindi lessens and wants to exploit the void of the “bura gora” (the white-skinned baddie) in Bollywood next. “I’m told that after Bob Christo and Tom Alter, there is a void of actors playing the white baddie in Bollywood. Maybe, I can explore to fill it,” he wonders.
True! Who can forget that high-voltage Bob Christo scene in Mr India where Anil Kapoor coaxes him to praise Lord Hanuman by making him repeat “Jai Bajrang Bali.” Bollywood sure hasn’t seen any gora make that kind of a mark from a long time now. So this new guy is surely worth a try. Welcome Alex Reece. Welcome to Indian cinema.
Basking in the glory of the success of 102 Not Out, its makeup, hair and prosthetic designer Preetisheel Singh is almost in a daze from a week. The Amitabh Bachchan–Rishi Kapoor starrer brilliantly directed by Umesh Shukla has been a runaway hit with audiences and critics alike.
Ace film reviewer Kunal Guha of Mumbai Mirror points out that both (Bachchan and Kapoor) “internalize their screen personas to an extent that one often forgets the actors are under the layers of prosthetic.”
“Speaking of which, makeup and prosthetic artiste Preetisheel Singh is meticulous in her vision and execution and drafts faces that elaborately convey both their personalities. Even the strands of hair that sits on their head seem to be custom-woven to the brief—the father’s — unkempt and carefree, while the son’s — usually neatly parted, keeping with his orderly manner,” he writes.
Bollywood Hungama echoes, “The review would be incomplete without the mention of Preetisheel Singh’s makeup, hair and prosthetic. She gives a great look to both the veteran actors which also turns out to be the film’s USP.”
Covering Preetisheel for News18, journalist Mugdha Kapoor Safaya says, “It would be an understatement to only call her a makeup and prosthetic artiste. Perhaps, the term makeover whiz seems more appropriate.”
“While Amitabh Bachchan and Rishi Kapoor are to be credited for getting into the vibe of the characters, prosthetic artiste Preetisheel Singh deserves credit for the amazing physical transformation the actors underwent. With each look that she designs, Preetisheel provides an accurate physical aid to the characters being portrayed,” writes Urban Asian journalist Diana Lydia Parmar on social media.
“I’m humbled by the stupendous praise. 2018 has been a breathtakingly amazing year for me,” says Preetisheel, who emerged Bollywood’s No.1 look designer after she curated the looks for Ranveer Singh, Shahid Kapoor and Deepika Padukone in Sanjay Leela Bhansali’s blockbuster Padmaavat.
This year also saw the re-release of the Sartaj Singh Pannu-directed Nanak Shah Fakir which got Preetisheel the National Film Award for Best Makeup. But the lady has no time to slow down. Her work will soon be showcased in the Harshvardhan Kapoor-starrer Bhavesh Joshi Superhero directed by Vikramaditya Motwane, followed by the Nawazuddin Siddiqui-starrer Thackeray — the biopic on Shiv Sena supremo Balasaheb Thackeray, presented by Sanjay Raut and directed by Abhijit Panse. For Preetisheel, it looks like the year has just begun.