Preetisheel Singh transforms 10-year old girl into a 90-year old

It is not often that we see drastic and dramatic makeovers which stun us to the extent of giving us an ‘OMG’ feeling. So when one like that happens in the course of a short 45-second advertisement, it does surprise us.

One such advertisement happened this week when makeover wiz Preetisheel Singh turned a 10-year old girl into a 90-year old with makeup and prosthetics.

The National Award-winning character designer, Preetisheel carried out an elaborate look transformation on this little girl for a public initiative by Star TV network, promoting a cleaner, pollution-free tomorrow.

The short clip is all about bringing awareness to the bad quality of air we breathe in and how it ages our insides. And it’s been dealt with in a very smart and safe manner.

“What can happen if children continue to breathe this air? Drive one day less for #CleanAirEveryday,” prods the post accompanying it on social media. The advertisement urges us to hope and work at having cleaner, clearer air and less pollution in future.

For the record, Preetisheel has designed looks for a number of top artists in Bollywood’s box-office successes such as Bajirao Mastani, Padmaavat, Chhichhore, 102 Not Out, Mulk, Bala and Housefull 4. Her other credits include movies such as Andhadhun, Thackeray, Shivaay, Haider, Hawaizaada, Rangoon, Brothers, Talwar, Finding Fanny, Parched, Mom, Romeo Akbar Walter (RAW), Malaal, Pati Patni Aur Woh, Raat Akeli Hai, Panga, Ujda Chaman, House Next Door, Bigil, Boomerang and 24.

Along with her work partner-husband Mark D’souza, Preetisheel has set up India’s first makeup and prosthetic lab called Da Makeup Lab in Mumbai. The talented lady is now preparing to launch the Preetisheel School of Character Design.

Bollywood goes ga-ga over Preetisheel Singh’s baldie boys!

Housefull 4 poster, Ujda Chaman poster, Bala poster, Preetisheel Singh. (Poster images courtesy - Internet)

Close on the heels of the stupendous success of Nitesh Tiwari’s Chhichhore, National Award-winning makeup and prosthetic character design specialist is coming up with not one, two, but three stunners. And all the three films have taken the film industry imagination by storm.

Housefull 4 poster, Ujda Chaman poster, Bala poster. (Poster images courtesy - Internet)

Yes! We are talking about none other than the three baldie looks of Bollywood, which are the talk of the town from a while now. The wiz behind the looks of Akshay Kumar as Bala in the Farhad Samji-directed Housefull 4, Ayushmann Khurrana in Amar Kaushik’s movie Bala and Sunny Singh in Abhishek Pathak’s Ujda Chaman, is look designer Preetisheel Singh.

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What has particularly surprised many, is the fact that inspite of all the three looks being of men going bald, Preetisheel has deftly designed them in a way that all of them look ending different on the screen. While Akshay has an imposing mouche to go with the look, Ayushmaan has a receding hairline, and Sunny Singh has a moustache and stubble to match his balding look.

It can be noted here that Preetisheel even received accolades for her transformational look makeovers in movies like Padmaavat, Mom, 102 Not Out, Mulk and Thackeray some time ago.

Bala poster, Ujda Chaman poster, Houseful poster, Preetisheel Singh. (Poster images courtesy - Internet)

She is now excited for her forthcoming releases which include an interesting mix of movies like the Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.

What’s more! The talented lady is also preparing to launch the ‘Preetisheel School of Character Design’ at her new sprawling office and workshop of her company ‘Da Makeup Lab’ at Versova, Mumbai.

 

Chhichhore and Bala bring accolades for look designer Preetisheel Singh

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If the trailer of Nitish Tiwari’s Chhichhore and teaser of Amar Kaushik’s Bala are anything to go by, the audiences are in for a visual treat in terms of look transformations of the main cast. And the lady behind the looks of the entire lead cast in the films — India’s numero uno makeup, hair and prosthetic designer Preetisheel Singh — has good reason to feel proud.

Both the movies have actors in their aging avatars and Preetisheel’s work has been receiving a new wave of accolades, after all the recognition it received earlier for films like Padmaavat, Bajirao Mastani, Andhadhun, Mom, Mulk, 102 Not Out, Thackeray and many others.

“Look transformations are an integral part of the storylines of both these movies, and it was a challenge and responsibility for me to make them look convincing and believable. I am so happy people are appreciating my work,” says a modest Preetisheel, who’d won the ‘National Film Award for Best Makeup’ for her very first film — the pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak.

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She makes it a point to thank the filmmakers of all her movies for putting their trust and faith in her work. “Without their faith, I wouldn’t have been able to do all this,” she says. Having taken her career graph a few steps further towards more recognition and glory, the lady has no time for a breather. The next few months have her working on a dozen films back-to-back, as well as starting the ‘Preetisheel School of Character Design’ at Versova, Mumbai.

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Some of the forthcoming movies in her kitty include the Akshay Kumar-starrer Housefull 4, Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.

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