So you have seen actors in a double role and even triple roles. Now hear this!
National Award-winning makeup and prosthetic designer Preetisheel Singh, who has designed the looks for actors in movies such as Bajirao Mastani, Padmaavat, Chhichhore, 102 Not Out, Thackeray, Bala and Housefull 4, has curated SEVEN different looks for South superstar Vikram for his upcoming film Cobra.
A first-look poster of the film which will be released in Tamil, Telugu and Hindi, shows Vikram in as many as seven avatars; ranging from a professor and politician to what seems to be a scientific mastermind, connecting all the different people together in some way.
With a musical score by none other than A.R.Rahman, Cobra is a thriller directed by Ajay Gnanamuthu and scheduled for a May 2020 release.
It can be noted here that just a fortnight ago we saw an advertisement for Kurkure starring Akshay Kumar where he played a triple role of son, father and grandfather. The three looks, also designed by Preetisheel, received a lot of attention.
A master with makeovers, Preetisheel who has emerged as the most sought-after look transformation specialist in Bollywood, runs India’s premiere outfit Da Makeup Lab along with her partner Mark D’souza.
Close on the heels of the stupendous success of Nitesh Tiwari’s Chhichhore, National Award-winning makeup and prosthetic character design specialist is coming up with not one, two, but three stunners. And all the three films have taken the film industry imagination by storm.
Yes! We are talking about none other than the three baldie looks of Bollywood, which are the talk of the town from a while now. The wiz behind the looks of Akshay Kumar as Bala in the Farhad Samji-directed Housefull 4, Ayushmann Khurrana in Amar Kaushik’s movie Bala and Sunny Singh in Abhishek Pathak’s Ujda Chaman, is look designer Preetisheel Singh.
What has particularly surprised many, is the fact that inspite of all the three looks being of men going bald, Preetisheel has deftly designed them in a way that all of them look ending different on the screen. While Akshay has an imposing mouche to go with the look, Ayushmaan has a receding hairline, and Sunny Singh has a moustache and stubble to match his balding look.
It can be noted here that Preetisheel even received accolades for her transformational look makeovers in movies like Padmaavat, Mom, 102 Not Out, Mulk and Thackeray some time ago.
She is now excited for her forthcoming releases which include an interesting mix of movies like the Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.
What’s more! The talented lady is also preparing to launch the ‘Preetisheel School of Character Design’ at her new sprawling office and workshop of her company ‘Da Makeup Lab’ at Versova, Mumbai.
If the trailer of Nitish Tiwari’s Chhichhore and teaser of Amar Kaushik’s Bala are anything to go by, the audiences are in for a visual treat in terms of look transformations of the main cast. And the lady behind the looks of the entire lead cast in the films — India’s numero uno makeup, hair and prosthetic designer Preetisheel Singh — has good reason to feel proud.
Both the movies have actors in their aging avatars and Preetisheel’s work has been receiving a new wave of accolades, after all the recognition it received earlier for films like Padmaavat, Bajirao Mastani, Andhadhun, Mom, Mulk, 102 Not Out, Thackeray and many others.
“Look transformations are an integral part of the storylines of both these movies, and it was a challenge and responsibility for me to make them look convincing and believable. I am so happy people are appreciating my work,” says a modest Preetisheel, who’d won the ‘National Film Award for Best Makeup’ for her very first film — the pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak.
She makes it a point to thank the filmmakers of all her movies for putting their trust and faith in her work. “Without their faith, I wouldn’t have been able to do all this,” she says. Having taken her career graph a few steps further towards more recognition and glory, the lady has no time for a breather. The next few months have her working on a dozen films back-to-back, as well as starting the ‘Preetisheel School of Character Design’ at Versova, Mumbai.
Some of the forthcoming movies in her kitty include the Akshay Kumar-starrer Housefull 4, Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.
The list of achievements for National Award-winning makeup and prosthetics designer Preetisheel Singh haven’t stopped from the day she set foot in the world of make-believe.
“They say, Bollywood is a place where dreams are made. So what better than a profession which helps makes those dreams a reality,” quips Preetisheel, who has designed the looks of actors for some of the topmost movies in Bollywood like Umesh Shukla’s 102 Not Out and Sajid Nadiadwala’s Housefull 3, along with Sanjay Leela Bhansali’s Bajirao Mastani and Padmaavat.
Her work for the pre-Mughal epic Nanak Shah Fakir directed by Sartaj Singh Pannu bagged her the coveted National Film Award for Best Makeup, while her talent will soon be showcased again in Anubhav Sinha’s Mulk, where Rishi Kapoor will appear in the look of a devout Muslim. Then there is the Nawazuddin Siddiqui-starrer Thackeray — the biopic on Shiv Sena supremo Balasaheb Thackeray, presented by Sanjay Raut and directed by Abhijit Panse.
So what does it take to create different looks? “Prosthetic has a lot of parts involved in it. You first take the life cast of the actor in 3D measurement after which you sculpt and make moulds, running silicon pieces in it,” explains Preetisheel.
“The silicon pieces are then applied on the actor and are merged with the actor’s skin so that it doesn’t look artificial. So tomorrow if a filmmaker comes up and has the requirement for an alien creature, we can do it. In fact, it will be good fun and I’d love to create aliens for Bollywood.”
Is the whole process very time-consuming? “When we look at characters with prosthetics on screen, we do not realize how much time and effort goes behind the scenes. The whole process involves a lot of visualization, planning, detailing, art and finally time. But the end result is worth the energy spent,” she concludes with a smile.
Move over Rani Padmavati… Rani Vindhyavati is here.
Southern actress Poonam Kaur who will be seen romancing television heartthrob Karan Singh Grover in the upcoming Bollywood flick 3 Dev, has bagged the lead role of Rani Vindhyavati in the mega-hyped Telugu historical TV series Swarna Khadgam, being made by makers of the magnum opus Bahubali.
While the mega-series is being produced by ARKA Media Works, the makers of Bahubali, Poonam’s role of the queen is said to be similar to that of the popular character of Devasena who rocked in the blockbuster.
“Here’s presenting Queen ‘Vindhyavati’; the symbol of #love, #justice & #sacrifice from #SwarnaKhadgam by #ARKA media #ComingSoon,” tweeted Poonam, along with a sneak-peak video of the upcoming TV series. Its reported that the series may be dubbed in Hindi as well as many other languages.
Poonam has been in the news for some time in the Southern media for her bold and daring statements. Recently, she created a lot of buzz when she tweeted about being backstabbed by a filmmaker who cast her and then went on to make the film with another actress. It bombed miserably, apparently leaving the filmmaker devastated.
With her new sensational avatar, the Southern media has been chasing Poonam for quotes and statements. But the lady is busy making a mark with the promos and songs of Ankoosh Bhatt’s madcap comedy 3 Dev. One of the songscalled Nikamma featuring her and Karan has received a mind-boggling amount of hits on YouTube. Way to go!
Southern sensation Poonam Kaur is all set to make her Bollywood debut opposite television heartthrob Karan Singh Grover in Ankoosh Bhatt’s madcap comedy 3 Dev releasing soon.
Having proved her mettle in the South with over 20 films including Tamil, Telugu, Kannada and Malayalam flicks, Poonam has been known to be one of the most expressive actresses there — and going by her Facebook followers touching five million, one can safely say, a very popular one too. Currently, she is also playing the lead in the mega-hyped Telugu historical TV series Swarna Khadgam, being made by the makers of the magnum opus Bahubali.
Poonam’s beauty with a dazzling smile has often been compared to that of yesteryears actresses Madhubala and Divya Bharti. Having studied fashion technology from Delhi, she is no novice to the world of glamour. Before entering movies, Poonam was crowned Miss Andhra as she won the Lux Miss Andhra Beauty Pageant.
Thereafter, she went on to win the Miss Talented title in Femina Miss India South and has been nominated multiple times for Filmfare Best Supporting Actress roles in the South.
In 3 Dev, Poonam will be seen playing the character of the dainty Radha, while her song Nikamma with Karan Singh Grover has already been scaling great popularity on YouTube.
The film’s director Ankoosh Bhatt says, “When we began casting for the role, my casting director suggested Poonam’s name. We needed someone sweet, bubbly and very emotive to play Radha and she fit the bill perfectly. Her experience in the South helped tremendously. She required no hand-holding and got into the character in no time.”
Poonam is equally charged about her Bollywood debut. “The character has interesting dimensions, which not only made it appealing to play, but challenging too. Plus, the team of the film was always very warm and supportive. They made me feel at home. Now I have my fingers crossed for the release and waiting for some divine dev-devta magic to happen,” she chirps.
Basking in the glory of the success of 102 Not Out, its makeup, hair and prosthetic designer Preetisheel Singh is almost in a daze from a week. The Amitabh Bachchan–Rishi Kapoor starrer brilliantly directed by Umesh Shukla has been a runaway hit with audiences and critics alike.
Ace film reviewer Kunal Guha of Mumbai Mirror points out that both (Bachchan and Kapoor) “internalize their screen personas to an extent that one often forgets the actors are under the layers of prosthetic.”
“Speaking of which, makeup and prosthetic artiste Preetisheel Singh is meticulous in her vision and execution and drafts faces that elaborately convey both their personalities. Even the strands of hair that sits on their head seem to be custom-woven to the brief—the father’s — unkempt and carefree, while the son’s — usually neatly parted, keeping with his orderly manner,” he writes.
Bollywood Hungama echoes, “The review would be incomplete without the mention of Preetisheel Singh’s makeup, hair and prosthetic. She gives a great look to both the veteran actors which also turns out to be the film’s USP.”
Covering Preetisheel for News18, journalist Mugdha Kapoor Safaya says, “It would be an understatement to only call her a makeup and prosthetic artiste. Perhaps, the term makeover whiz seems more appropriate.”
“While Amitabh Bachchan and Rishi Kapoor are to be credited for getting into the vibe of the characters, prosthetic artiste Preetisheel Singh deserves credit for the amazing physical transformation the actors underwent. With each look that she designs, Preetisheel provides an accurate physical aid to the characters being portrayed,” writes Urban Asian journalist Diana Lydia Parmar on social media.
“I’m humbled by the stupendous praise. 2018 has been a breathtakingly amazing year for me,” says Preetisheel, who emerged Bollywood’s No.1 look designer after she curated the looks for Ranveer Singh, Shahid Kapoor and Deepika Padukone in Sanjay Leela Bhansali’s blockbuster Padmaavat.
This year also saw the re-release of the Sartaj Singh Pannu-directed Nanak Shah Fakir which got Preetisheel the National Film Award for Best Makeup. But the lady has no time to slow down. Her work will soon be showcased in the Harshvardhan Kapoor-starrer Bhavesh Joshi Superhero directed by Vikramaditya Motwane, followed by the Nawazuddin Siddiqui-starrer Thackeray — the biopic on Shiv Sena supremo Balasaheb Thackeray, presented by Sanjay Raut and directed by Abhijit Panse. For Preetisheel, it looks like the year has just begun.
Recently, while preparing for the shoot of Umesh Shukla’s102 Not Out, makeup, hair and prosthetic designer Preetisheel Singh got busy working on the look of veteran actor Rishi Kapoor.
The much-awaited film has Kapoor playing a 75-year-old grumpy son to a 102-year-young cheerful Amitabh Bachchan. Its trailer and songs, including Badumbaa and Bachche Ki Jaan Loge Kya, are already a hit.
“Rishi Sir said he found the look seamless and flawless,” recalls Preetisheel. Saying that it looked extremely real, the veteran actor called her a “magician”. “A comment so flattering from a person of his talent and stature is something I will cherish for life,” quips the makeover wiz.
It’s been a roller coaster ride for Preetisheel this year. After garnering acclaim for her work in Sanjay Leela Bhansali’s Padmaavat where she designed the looks for the complete cast along with Ranveer Singh, Shahid Kapoor and Deepika Padukone, she went on to win the Power Brands – Bollywood Film Journalists Award too.
Meanwhile, her film Nanak Shah Fakir, which bagged her the National Film Award for Best Makeup, has been re-released by Viacom18 Motion Pictures, albeit amidst controversy.
Next, the lady is looking forward to Vikramaditya Motwane’s Bhavesh Joshi Superhero starring Harshvardhan Kapoor and working on Nawazuddin Siddiqui’s look for the Abhijit Panse-directed movie Thackeray; the biopic on Shiv Sena supremo Bal Thackeray.
POINTERS: National Award-winning make-up, hair and prosthetic designer Preetisheel Singh
After Bajirao Mastani, Sanjay Leela Bhansali repeated Preetisheel Singh for Padmaavat. She designed the looks of all the main starcast including Ranveer Singh (as the evil ruler Alauddin Khilji), Deepika Padukone (as the legendary queen Padmavati) and Shahid Kapoor (as the Rajput ruler Ratan Singh). Viewers and film critics alike, have been awestruck with the results, with Preetisheel emerging the undisputed No.1 make-up, hair and prosthetic designer in the film industry.
Videos of look tests during the making of Padmaavat:
Preetisheel has created the look for Nawazuddin Siddiqui’s in Thackeray… the biopic being made on Shiv Sena supremo Balasaheb Thackeray. Its teaser was released some time ago by Uddhav Thackeray and Amitabh Bachchan and received widespread critical acclaim.
She has worked on Nawazuddin Siddiqui’s look earlier too in the movie Mom, where her make-up and prosthetic work was highly appreciated.
She has also done the make-up and prosthetic for actors in films like Shivaay, Haider, Hawaizaada, Housefull 3, Rangoon, Brothers, Talwar, Finding Fanny, Parched, Ghayal Once Again and the Tamil/Hindi film 24.
After Padmaavat, Preetisheel has also begun receiving a lot of offers down South. She has just accepted a Tamil film called Boomerang, where she is working on the looks for famous Tamil actor Ataharvaa Murali.
She received the ‘National Film Award for Best Makeup’ for the pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak, wherein she designed the looks for all the characters in the movie. The film has recently re-released through Viacom18 Motion Pictures amid controversy.
Preetisheel’s work of creating believable ghost-figures for the recent horror film House Next Door has also been praised a lot. The film, which released in three languages (as House Next Door in Hindi, as Aval in Tamil and Gruham in Telugu) garnered critical acclaim and once again earned a lot of positive reviews for her work.
For the upcoming film 102 Not Out directed by Umesh Shukla, Preetisheel has designed the looks for Amitabh Bachchan as a 102-year-old man, as well as for Rishi Kapoor playing his 75-year-old son. Its trailer and songs, including Badumbaa and Bachche Ki Jaan Loge Kya are already a rage.
Apart from Mulk and Thackeray, her work as a make-up, hair and prosthetic designer will soon be showcased once again in upcoming movies such as Vikramaditya Motwane’s film Bhavesh Joshi Superhero starring Harshvardhan Kapoor. Its teaser has just released, revealing Harshvardhan’s look as a vigilante and it’s been the talk of the town.
After this, there is Pal Pal Dil Ke Paas, the debut film of Sunny Deol’s son Karan Deol.
Preetisheel has also set up India’s first make-up and prosthetic lab called Da Makeup Lab and her goal is to bring standards of make-up and prosthetic in India at par with Hollywood.
Bollywood actress Neetu Chandra who is in Pattaya, Thailand, shooting for Tamil industry’s showman Ameer Sultan’s film ‘Aadhi Bhagavan’ is down with a curious case of introduction to smoking.
Neetu who plays the leading lady in the Kollywood film opposite Southern superstar Jayam Ravi, had to enact a scene, wherein her character smokes a lot. Though initially, this was a serious issue for the non-smoker that Neetu is, she decided to give it her best shot simply for the sake of professionalism.
While director Ameer taught her how to hold a cigarette in different ways, Neetu ended up indulging herself with 28 cigarettes before the scene was finally okayed.
“It was fun,” Neetu laughed after the day’s shoot. She wouldn’t have, if she knew that by the time this piece would go in print, she’d be taking medicines for a sore throat!!
If you thought Neetu Chandra was talented, think again! The actress is almost giving talent a new meaning, by being a master of all she surveys.
As if being a Black Belt 2nd Dan; a basketball player; a kathak dancer; a harmonium, flute, as well as tanpura player, was not enough, the multi-faceted Bollywood actress from Bihar, has now gone a step ahead and is learning Tamil.
The story goes that a superhit director from the South approached Neetu two weeks ago to act in his film. Since he wasn’t comfortable talking in English or Hindi and his film was in Tamil, he wanted her to work on the language and become fluent in it. “That’s the time I instinctively decided to learn Tamil,” says Neetu. “I hired a tutor next day who now coaches me in the language for about two hours every day. He talks to me in Tamil and I write down the words in English and Hindi and then, reply in Tamil,” she says.
Ah, as we said earlier; some people can go to any extent to master everything they survey. Three cheers to Neetu Chandra and her determination.