It’s just been a few months since South superstar Vijay’s Master emerged a blockbuster in the Southern market. Pandemic times notwithstanding, the film went on to become a rage, setting the box-office on fire.
National Award-winning makeup and prosthetic look designer Preetisheel Singh D’Souza who had curated the look for Vijay in Master, has also worked on another superstar Allu Arjun’s look in the much-awaited Telugu movie Pushpa, where he plays a character called Pushpa Raj. The film is reported to be readied with dubbed versions in Malayalam, Tamil, Kannada and Hindi too.
Pushpa which is being planned in two parts (just like Baahubali), has Allu Arjun fans waiting with abated breath for its release. Its teaser has already generated humongous views on the net. The buzz and craze Allu Arjun’s getup and the film’s theme has received, has just kept growing bigger and bigger.
In fact, when the teaser of the film was released sometime ago, it broke popularity records set by teasers of films like Baahubali and Radhe Shayam on YouTube.
Preetisheel, who has also curated the look for the film’s heroine Rashmika Mandanna, has been feeling the heat.
“Sometimes it feels a bit unnerving, as expectations for Pushpa have hit the roof,” she says. “I hope the audience likes and appreciates my work this time round too,” she adds.
Preetisheel has earlier designed looks for various actors in very prominent Bollywood as well as Southern films. The list includes movies like Bajirao Mastani, Padmaavat, Housefull 4, 102 Not Out, Chhichhore, Master, 24, Wild Dog, Thackeray, Andhadhun and Bala.
Apart from being the No. 1 hair, makeup and prosthetic look designer in Bollywood, she runs India’s premier outfit Da Makeup Lab along with her partner husband Mark D’Souza. The lab’s building is a landmark in the posh Versova locality of Mumbai.
When it comes to transformational looks and makeovers, National Award-winning hair, makeup and prosthetic designer Preetisheel Singh is the undisputed No. 1 in Bollywood. She has also set up India’s first make-up and prosthetic lab called Da Makeup Lab at Versova, which has emerged a landmark. Here’s a list of the Top 10 looks she’s designed, which impressed every Bollywood buff. What’s more! Most of the films have emerged big money-spinners at the box-office.
The film had many characters which needed character designs as well as ageing. Preeetisheel had to keep that in mind while curating the looks. Plus, all the characters in the film were being drastically transformed in looks for the first time, which made her job all the more special. But she made sure that the looks matched their characters and also kept them as realistic as possible, which was loved by the director Nitesh Tiwari. Preetisheel designed multiple young and old-age looks for an ensemble lead cast. The film turned out to be quite spectacular. It went on to cross the Rs 200 crore mark at the box-office.
Designing the looks for Padmaavat led to creating the look of the evil ruler Alauddin Khilji (played with aplomb by Ranveer Singh), which turned out to be one of the most iconic villainous characters in Indian cinema, not just for the performance, but also for the look. Preetisheel’s looks for Deepika Padukone (as the legendary queen Padmavati) and Shahid Kapoor (as the Rajput ruler Ratan Singh) and the other cast of the film also earned her tremendous praise. Viewers and film critics alike, were awestruck with the results. Working with Sanjay Leela Bhansali was always special to Preetisheel (she had worked with him on Bajirao Mastani earlier), because she got all the creative freedom she needed. He trusted her work and that gave her the confidence to design something very unique and different. The film is reported to have earned Rs 585 crore at the box-office.
Bala was a film where Preetisheel designed the looks for both the main leads, which were totally transformed. The balding look of Ayushmann Khurrana was enjoyed by the audiences and so was the dusky look of Bhumi Pednekar. The film became a hit and was hugely accepted by the audiences all over the globe, grossing Rs 171.45 crore worldwide.
4) Nanak Shah Fakir
This film is very special to Preetisheel as it was her first film as a hair, makeup and prosthetic designer, and even bagged her the National Film Award for Best Makeup. A pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak, required the most amount of prosthetics done in Preetisheel’s career. She designed the looks for all the characters in the movie. The film released and re-released amid controversy, but went on to become an landmark for its subject and theme. Reminiscing about it gives Preetisheel immense creative satisfaction.
5) Housefull 4
For Housefull 4, looks for all the period characters including those of Akshay Kumar, Riteish Deshmukh, Bobby Deol, Kriti Sanon, Pooja Hegde, Kriti Kharbanda and Rana Daggubati were designed by Preetisheel. Media went ga ga over Akshay Kumar’s bald look in the film and it received a huge opening. Akshay also complimented Preetisheel for her work. The song Bala Bala Shaitan Ka Saala too, emerged a rage. Housefull 4 grossed Rs 280 crore worldwide.
6) Bajirao Mastani
This was Preetisheel’s first movie with Sanjay Leela Bhansali. It gave her a chance to prove herself to him, as the maker focuses on the minutest detail. All the characters in Bajirao Mastani turned out outstanding and that’s what gave Preetisheel a masterful footing with period films. Especially, Ranveer Singh’s look as the Maratha Peshwa Bajirao earned Preetisheel good recognition. The film was reported to have grossed Rs 356 crore at the box-office.
24 was the first time she got a chance to work with Southern superstar Suriya. Preetisheel found him extremely down-to-earth to work with. 24 was hailed as one of the classiest movies in terms of looks and special effects, and went down in history as great fine art. She got to work with Suriya in more films later. The film earned 150 crore at the box-office.
8) Romeo Akbar Walter (RAW)
RAW had a lot of disguises on John Abraham who plays a spy in the film. That by itself was super exciting for the makeup and prosthetic whiz. She found him amazing to work with as he was very open to the idea of prosthetics and very patient getting into the various looks. Some of his disguises in the film were so good that even his fans could not recognize him in the movie stills which were released before the film.
9) 102 Not Out
Creating super-aged looks for Amitabh Bachchan (as a 102-year-old man) and Rishi Kapoor (playing his 75-year-old son) is yet another highlight of Preetisheel’s career. Working for this Umesh Shukla film was interesting for her, but she also admits that it was tense. Apart from their seniority, Preetisheel knew that both Bachchan and Kapoor had worked with some of the best international names in makeup and prosthetics. She did her best. Luckily, they loved the looks and so did the audience. Though the film was not a typical Bollywood potboiler, it earned a handsome 115 crore at the box-office.
Mom had an amazing script to start with and transforming the look for Nawazuddin Siddiqui for the first time was quite exciting for Preetisheel. His receding hairline and buck tooth look in the film, almost made him unrecognizable. The film was a success, earning 175 crore at the box-office. Preetisheel later worked with Nawazuddin again for the film Thackeray, where she transformed his looks into that of the Shiv Sena supremo Bal Thackeray