After Chhichhore and Housefull 4, Preetisheel Singh hits another hattrick with Bigil

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While Chhichhore has crossed the 200 crore mark, and Housefull 4 is roaring at the box-office with a collection of 53.22 crore in just three days, another movie of National Award-winning makeup and prosthetic character designer Preetisheel Singh is doing stupendous business.

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Bigil is the latest blockbuster from Tamil film industry Kollywood’s megastar Vijay, who has become synonymous with Diwali releases in the South, as Rajinikanth is with Pongal or Salman Khan is with Eid in Bollywood. Recently, Shah Rukh Khan described Bigil as Chak De on steroids.

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For the movie, Preetisheel has designed two looks for Vijay in a double role, one a footballer and the other as a gangster. “Bigil was a very exciting project as we had to do two different generation looks,” says Preetisheel.

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“Vijay Sir doesn’t speak much but is a gem of a person. My experience with him has been amazing. He is very welcoming and very easy to talk to,” she quips, adding that she has curated another look with him for a movie which will go on floors soon.

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Preetisheel has earlier achieved a hattrick a year ago, when three of her movies Padmaavat, 102 Not Out and Mulk hit the bulls eye. In recent months she has also garnered abundant praise about her work for Andhadhun and Thackeray.

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She has been behind some of the best looks of a plethora of top Bollywood stars like Ajay Devgn, Akshay Kumar, Amitabh Bachchan, Ayushmann Khurrana, Deepika Padukone, Kangana Ranaut, Madhuri Dixit, Nawazuddin Siddiqui,  Radhika Apte, Ranveer Singh, Salman Khan, Shahid Kapoor & Sunny Deol.

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Her work will soon be seen in forthcoming movies like the Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Ayushmann Khurrana-starrer Bala, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Sunny Singh-starrer Ujda Chaman, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.

 

Bollywood goes ga-ga over Preetisheel Singh’s baldie boys!

Housefull 4 poster, Ujda Chaman poster, Bala poster, Preetisheel Singh. (Poster images courtesy - Internet)

Close on the heels of the stupendous success of Nitesh Tiwari’s Chhichhore, National Award-winning makeup and prosthetic character design specialist is coming up with not one, two, but three stunners. And all the three films have taken the film industry imagination by storm.

Housefull 4 poster, Ujda Chaman poster, Bala poster. (Poster images courtesy - Internet)

Yes! We are talking about none other than the three baldie looks of Bollywood, which are the talk of the town from a while now. The wiz behind the looks of Akshay Kumar as Bala in the Farhad Samji-directed Housefull 4, Ayushmann Khurrana in Amar Kaushik’s movie Bala and Sunny Singh in Abhishek Pathak’s Ujda Chaman, is look designer Preetisheel Singh.

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What has particularly surprised many, is the fact that inspite of all the three looks being of men going bald, Preetisheel has deftly designed them in a way that all of them look ending different on the screen. While Akshay has an imposing mouche to go with the look, Ayushmaan has a receding hairline, and Sunny Singh has a moustache and stubble to match his balding look.

It can be noted here that Preetisheel even received accolades for her transformational look makeovers in movies like Padmaavat, Mom, 102 Not Out, Mulk and Thackeray some time ago.

Bala poster, Ujda Chaman poster, Houseful poster, Preetisheel Singh. (Poster images courtesy - Internet)

She is now excited for her forthcoming releases which include an interesting mix of movies like the Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.

What’s more! The talented lady is also preparing to launch the ‘Preetisheel School of Character Design’ at her new sprawling office and workshop of her company ‘Da Makeup Lab’ at Versova, Mumbai.

 

Chhichhore and Bala bring accolades for look designer Preetisheel Singh

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If the trailer of Nitish Tiwari’s Chhichhore and teaser of Amar Kaushik’s Bala are anything to go by, the audiences are in for a visual treat in terms of look transformations of the main cast. And the lady behind the looks of the entire lead cast in the films — India’s numero uno makeup, hair and prosthetic designer Preetisheel Singh — has good reason to feel proud.

Both the movies have actors in their aging avatars and Preetisheel’s work has been receiving a new wave of accolades, after all the recognition it received earlier for films like Padmaavat, Bajirao Mastani, Andhadhun, Mom, Mulk, 102 Not Out, Thackeray and many others.

“Look transformations are an integral part of the storylines of both these movies, and it was a challenge and responsibility for me to make them look convincing and believable. I am so happy people are appreciating my work,” says a modest Preetisheel, who’d won the ‘National Film Award for Best Makeup’ for her very first film — the pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak.

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She makes it a point to thank the filmmakers of all her movies for putting their trust and faith in her work. “Without their faith, I wouldn’t have been able to do all this,” she says. Having taken her career graph a few steps further towards more recognition and glory, the lady has no time for a breather. The next few months have her working on a dozen films back-to-back, as well as starting the ‘Preetisheel School of Character Design’ at Versova, Mumbai.

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Some of the forthcoming movies in her kitty include the Akshay Kumar-starrer Housefull 4, Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.

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Ashok Chaudhary CRUSHES Kangana Ranaut’s nepotism debate with The Music In My Blood

Bollywood has been raging with the debate on nepotism ever since Kangana Ranaut struck uneasy chords about it in her confrontation with Karan Johar. Talking about how the Indian film industry has a bias towards talent born into industry families, she begun a discussion which refuses to die. But amidst all the mud-slinging on the topic, one never imagined it would be portrayed in the form of a story.

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But that’s what theatre and film actor Ashok Chaudhary’s character in the American Off-Broadway play The Music In My Blood is all about. The play has the Indian-American playing a character of Vikram; an aspiring singer who does not belong to any affluent musical family, but dreams of becoming a famous singer like the yesteryear greats Mohammed Rafi and Kishore Kumar.

 

“Vikram goes through the journey of a careless student hailing from a lower strata of society, persevering to learn Hindustani classical music and finally transforming himself into a great musician,” informs Ashok.

 

“His character redefines the play’s title The Music in My Blood and proves that one does not have to be born in an artistic family to be a great performer. With sheer talent and dedication, the character proves that nepotism can be crushed,” he adds.

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Interestingly, the play’s narration is creatively moved forward in the form of a ghost of Walter Kaufmann, a Jewish refugee to India during the Second World War, who gave India the iconic All India Radio signature tune and fell in love with the music of the land.

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Ashok is touched by the audience response. “After the play, viewers come up to me in a very emotional state, some even with moist eyes. They identify with the character which seems to rake up their pent up emotions and unfulfilled dreams. Such a soul-stirring response is heart-warming and heartbreaking at the same time,” remarks Ashok.

 

He will next be seen playing a spy in Eshwar Gunturu’s Bollywood film Code Name Abdul which stars Tanishaa Mukerji in the lead.

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Rakhi Sawant lambasts Kangna Ranaut!

 

Rakhi Sawant is furious and fuming over Kangna Ranaut’s comment on the Kangna-Mika kiss ruckus. After Kangna apparently refused to engage in a lip-lock with singer Mika Singh for a film shoot, she went ahead and fired a salvo at the controversy queen.

“I am no Rakhi Sawant to do something like this” (kiss Mika), she is supposed to have said. This has enraged Rakhi, who has shot back, “How dare Kangna do her publicity gimmicks, firing from my shoulder. I have never kissed Mika. He had forcibly planted one on me and the world knows that. If Kangna is so publicity hungry, she should have kissed Mika for the song and become famous. Why resort to talking about Rakhi Sawant to gain mileage.”

Now, now! Knowing Rakhi, its best for Kangna to eat up her words or quickly apologize to her for ‘dragging’ her into the picture, or Rakhi might just road roller Kangna in national media. “With battle lines drawn, a new war seems to have just begun here,” chuckles Rakhi’s publicist Dale Bhagwagar.