Half of Bollywood will be OUT OF WORK even after lockdown ends: Experts

As appeared on Business Upturn

Original Article Link: https://www.businessupturn.com/entertainment/showbiz/half-of-bollywood-will-be-out-of-work-even-after-lockdown-ends-experts/

Half of Bollywood will be OUT OF WORK even after lockdown ends: Experts

Bollywood is in dire straits. After the Corona Crisis Lockdown, the entire industry is sitting at home and out of work. But what is most worrying now, is that experts predict that the situation is not going to go back to normal again. The new normal is going to witness around half of the film industry staying out of work. Business Upturn spoke to industry experts.

Read this exclusive article to know more and how to keep your personal brand alive and afloat in this time of impending financial crisis.

The lockdown has struck the most destructive and devastating blow to the entertainment industry. It has crippled the lives of thousands of daily wage workers, upcoming and existing talents, including actors, dancers, make-up artists, costume teams, technicians etc.

Bollywood going downhill

“Many would have already changed their professions and got into small time odd-jobs to somehow survive this phase with whatever they can earn here and there. The film industry has lost its way. Half of our industry’s workers will still be running helter-skelter for jobs and many of them will have to diversify into other fields and keep their participation in films to minimal,” says trade analyst Rajeev Chaudhari.

Amit Behl, senior joint secretary of Cine & TV Artists Association (CINTAA) echoes the sentiment. “Yes, half of Bollywood would definitely be out of work even if the lockdown ends. This is primarily because of specific reasons. One, because of the clash in directives between the State Government and the Central Government.”

“Plus, considering the hazards of COVID-19, there is a clear directive that actors above 65 and children below 10 will not be allowed to work till the time new norms come into place. Going by this rule, a lot of senior actors as well as child artistes will definitely be out of work, primarily when it comes to television. There have been huge budget cuts by the broadcasters and those budget cuts have been passed on to producers. So eventually it will go down to the cast and crew and the daily wage workers,” explains Behl.

Senior journalist Latha Srinivasan remarks, “The lockdown and its restrictions for more than 90 days has caused significant financial losses to producers, production houses, distributors and exhibitors. As a result, once the lockdown is lifted, it won’t be possible even for top actors in Bollywood to get back to work as businesses have to be realigned post examining the financial aspects and how best they can minimise further losses.”

Prepare for the worst

News of resumption of film and TV serial shootings has come out, but many technicians and actors are upset with the severe guidelines that have been issued along with insurance for all unit members etc. These additional costs of meeting the conditions of these guidelines are going to be challenging for the producers. Even if mainstream shootings will revive, there will be restrictions on crowd scenes, intimate scenes etc. with compromise in creativity and logistics.

Director Vivek Sharma who made the famous film Bhoothnath starring Amitabh Bachchan and featuring Shah Rukh Khan opines, “Thanks to film mafia, half of Bollywood was always out of work and post lockdown it will be the same. Television and web series’ actors will be in demand as these platforms need content to run their channels.” He feels that shoots will begin normally after September 2020 and that slowly people will get back in business.

To survive this lockdown and the fear its brought with it, Sharma suggests a lot of online interactions including workshops. “It’s a good time for people to learn and prepare for a time which will bring more and more changes and possibilities,” he says.

But Amit Behl is concerned about many other things than how one can make the most of this dismal phase. He worries about the fact that there is a “drastic cut in the crew members of the film shoots, which is about 30-35 percent slash in the number of people on the sets. That means a lot of people are going to be out of work. A lot of roles of junior artistes and actors are also going to face the axe because Indian daily soaps survive on family drama and a lot of wedding scenes, festival sequences and song and dance sequences, which will now have to be drastically cut or omitted altogether. There will obviously be no crowd involvement and no audience in any talk shows, game shows, reality shows and these kind of competition-based shows. Also, a lot of technical crew is going to be cut down, and all this is surely going to affect Bollywood as well as the television industry.”

Drawing our attention again to the state of affairs, Behl says, “The focus is now going to be about who all is essentially required on the sets and by the broadcaster. Those departments which can’t be avoided in shoots… those are the people who will get work for now. Of course, everyone is very hopeful that this crisis does not last beyond the end of 2020, but because of the dialogues I have had in the last three months with about 60 trade unions in 83 countries, I can say that the budget cuts and crew member cuts in other parts of the world are even more brutal than they are in India.”

Having said that, Behl points out that a lot of western countries have better technical finesse, so they can manage with the cuts. But we are a very manpower-heavy entertainment industry, so it’s going to hit us even harder and affect a lot more people than anywhere else in the world.

“But we can’t blame broadcasters for having heavily slashed their budgets. Because advertising revenue is down, the broadcasters don’t have much of an option. Its only the FMCG (Fast-Moving Consumer Goods) companies who are advertising right now and its slightly inhumane for companies to begin advertising products related to COVID… whether it’s for a cure or for a PPE Kit (Personal Protective Equipment Kit) or for sanitizers. So we are in hard times and just hoping for the skies to clear,” he adds.

Improve communication and PR skills

Amith Prabhu, founding Dean at School of Communications and Reputation (SCoRe) is more concerned about how to utilize this time in self-improvement and education. Like many other he is of the opinion that this is the time to hone your communication and PR skills.

He asks industry people to explore opportunities to create low-cost yet high-quality cinema. He feels this is also a time to reset lifestyles and suggests five things actors can do. Here are the pointers he puts forth:

1) First offer a free and then a paid masterclass to fans on social media.

2) Create a low-cost short movie series shot from home or from places where crowds can be avoided.

3) Learn something new with multiple courses available online.

4) Support a non-profit organisation by being a temporary brand ambassador with no cost to that organisation.

5) Write a monthly column on the advantages of communication in the world of TV and cinema.

Fees to drop heavily

Rajeev Chaudhari wants to bring people’s attention to box-office collections. “Now with this humongous loss in our industry, the prices that a regular TV serial used to fetch from a channel will come down drastically to less than 50% and a feature film cannot perceive box-office business in hundreds of crores anymore. Gone are those days.”

He feels that the film industry’s corporate status has crashed and its premium value has diminished. “Now with reduction in film and TV unit members, along with reduction in the number of films being made, work opportunities will be very less and fees in all the departments will drop heavily.”

Chaudhari points out that in view of above cuts, due to new guidelines and deep recession, even if the lockdown opens up, it will not be able to accommodate all workers and creative labourers with jobs.

Beware of depression, suicides, fear

“The Corona Crisis has taken a huge toll on the financial and mental health of the industry’s labourers and creative members, leading to depression and suicides. This severe catastrophic state has never been seen before in our entertainment industry,” he adds.

Latha Srinivasan feels, “Given the government regulations to be followed for shoots, one needs to see how many people are comfortable working in such an environment. Some actors may not want to shoot till they are 100% sure their health is not at risk and it’s anybody’s guess as to when the environment will be COVID-free, if at all.”

“Yes, it’s true. Barring three or four of them, most Bollywood celebrities are not even stepping out, so to come for work is not going to happen,” says Viral Bhayani, the most popular Bollywood freelance photographer on Instagram.

“Everyone is waiting for a cure and Mumbai the epicenter of Bollywood still remains at a huge risk. If the shoots begin and something unforeseen happens then it is all going to go in vain. I know it has badly affected everyone financially but we will have to be more patient,” he remarks.

Surprisingly, Bhayani admits to a stark reality for many in the industry by giving an example of his own case. “Just like many who depend on outdoor work in their business, for me too, the photography business has unfortunately been destroyed at the moment. I’ve faced the probability of shutting down completely. But I also know for a fact that once the cure is out, we are gonna rock again. Things will be back to normal. Somehow I feel it is going to happen soon,” says Bhayani, hoping against hope.

He remarks that right now we all have to survive on our past incomes till things get normal. “Some of the shoots have begun but they are all happening outside of Mumbai and there too, most unit members are extremely scared. So even after the lockdown ends, many will still be left with little work or no work at all.”

Bhayani also brings us to another aspect of this issue, saying that the commitment and sentiment right now is so low that no filmmaker will take a risk to make a film unless there is cooperation from the Government and technicians charge fairly as per the current situation.

Larger-than-life cinema could return

But veteran freelance journalist Rajiv Vijayakar disagrees with many such notions. “I do not think we can quantify how much of the industry will be out of work after the lockdown. I am looking at it in another way.”

“The days of niche movies pandering to the ‘intelligentsia’ and pseudo-intellectuals — the so-called ‘multiplex cinema audience’ — are numbered. With a plethora of such films as well as inferior commercial movies hitting OTT directly, it is clear that such products will make a small but secure profit, which, sadly, will keep cinematic excesses like Ghoomketu and Bhonsle coming. But the pan-Indian movies will thrive, as these alone will get returns commensurate with the investments, as in the past.”

“The range of such movies, obviously, extends from Andhadhun  to Sooryavanshi and the South kind of spectacles,” he adds. Vijayakar feels that all this will slowly, but surely, culminate in Hindi films reemerging as the mass-medium of entertainment which it was once upon a time, and which it should be. Accordingly, only the stars, filmmakers and composers who believe in such larger-than-life cinema will thrive.

Pandemic shall pass, but competition won’t

Casting director Ahana Mohammed says, one should simply accept the challenge the COVID-19 pandemic crisis has thrown on us and make it favorable. “Those who do not have Godfathers in the industry to provide big breaks, can start learning ways to sharpen their skills.”

“The best way to survive is to get yourself moving, even if it means virtually. Get connected to people, share your thoughts and emotions, be wise and utilize this time by learning ways to master your craft,” she adds.

She makes another point, saying that one needs to up his/her ante by getting professional help in this crucial time. “Get an agent on board, who can understand your talent. Follow this up with good PR activity, which is necessary to put actors — especially freshers — high up amongst the cutthroat competition. Remember, the pandemic shall pass, but competition won’t,” concludes Mohammed.

Star prices will normalize, nepotism will decrease

Veteran journalist Jyothi Venkatesh makes a very interesting observation on the same lines. “After the lockdown, only the fittest will survive in Bollywood whether it is actors or journalists or PR persons. The field will be automatically filtered and the best in their professions will continue. Star prices will normalize and nepotism will decrease, though not eliminated.”

“A lot of money will be saved and things will eventually turn for the better. Though with social distancing, it will be tough to show romance, content should improve. The biggest beneficiaries will be the OTTs.”

“In this scenario, only those who know their work and worth will be able to flourish and the rest will perish,” he adds. Venkatesh also points out that a change will be evident among film exhibitors. “The multiplexes will realise that they are here not to fleece the industry by charging producers and distributors rentals for trailers and standees, or milk the patrons with steep prices for samosas and Pepsi and also for drinking water.”

Need for brand control

New-age film journalist and blogger Diganta Guha says, “It seems quite incredulous that the bigwigs might not have any silver screen releases this year. Time is running out and they would have to be through with their pending projects. Crores are at stake and nobody wants to incur humongous losses just for the sake of delays.”

He adds that apart from the lockdown, actor Sushant Singh Rajput’s untimely demise has been a jolt from the blue. “At this point of time, we need strong personalities as a lot of worms are getting out of the can and Bollywood may take a drastic fall if this does not stop. What is probably needs right away is some PR control to avoid the tsunami of controversies destroying its reputation.”

Guha analyses, “A great PR like Dale Bhagwagar could be the ideal person to guide actors and actresses through this period. Over the years, this guy has been legendary, handling media publicity for so many stars such as Hrithik Roshan, Shilpa Shetty and Priyanka Chopra. He is best suited for helping new actors and actresses maneuver their way through PR during such a crisis situation. Otherwise, a lot of celebrities might simply fade away into oblivion by the time all this chaos ends.”

Rajeev Chaudhari echoes Guha’s views.”A seasoned publicist like Dale Bhagwagar can suggest new PR ways to help actors survive this period. Because, in such a time, an out-of-sight actor and actress, will now be out of the industry.”

He evaluates that “With this deep recession and fierce cut-throat competition, there will be scuffling struggle by industry workers and professionals to be visible to the employers of the film and TV industry. I think now is the need for a good Bollywood publicist who can salvage good talent.”

PR or perish

But Chaudhari cautions that “Bollywood publicists too will have to find new ways to ensure that their PR clients are actively present in the radar of the casting directors and filmmakers, by generating articles, features, interviews, news, healthy gossip and Press Releases which suit the situation. The market has become acutely competitive and an actor or a professional can’t afford to skip the help of PR services now.”

He adds that every professional should seek effective PR help to make his or her presence felt in these challenging times. “Actors will have to be doubly aggressive in their approach and struggle to acquire work from production houses. With good active PR support, actors and actresses can keep registering their names their faces in the public even when they are not working. Their constant presence on the best Bollywood websites as well as social media and other PR mediums, could ensure celebs and upcoming artistes a place in the minds of casting directors and filmmakers.”

True! Fact is that the situation is what it is and film actors and technicians can’t help it, but focus on their PR at the moment. The only thing in their hands right now is to survive this crisis by staying afloat and continuing to be in the news. Otherwise, by the time the Corona Crisis ends, a new lot of actors and actresses will be ready to take over all the roles and new-age platforms setting their mark. Those you will have kept themselves in the news, might have some chance of survival. Many will perish.

Jo dikhta hai woh bikta hai

In the world we live in, there’s this umbilical cord between fame and credibility. Here, visibility equals credibility. You cannot be credible unless you’re visible. And that’s where the PR professionals and PR teams come in the picture. many in the industry believe that staying put in the news through PR is the best way to tide over this crisis. After all, the dictum ‘Jo dikhta hai woh bikta hai’ has always worked in Bollywood.

Maybe it’s for this reason that we are now seeing an influx of Bollywood’s upcoming stars, flock to PR guys to keep them in news during the lockdown. Actresses and actors are desperately trying to strengthen their brand and image so that they would be the ones to get work by the time this whole downturn ends.

Earlier, we have reported how Bollywood’s PR legend Dale Bhagwagar has been getting a huge amount of PR offers suddenly during lockdown. The top Bollywood publicist has signed seven new PR clients during the lockdown and shows no signs of slowing down.

Stay relevant, stay connected

Talking about PR strategies, Latha Srinivasan says, “Many actors might still want to stay relevant and connected to the audience at this time given that they may not be able to shoot or their films may not be releasing. One of the key things celebs should do is use their social media platforms to amplify the good work being done by people, start a fundraiser and talk about health and safety. They should also use their social media to uplift the morale of people. For instance, they can shoot fitness videos or showcase their other talents which people are not aware of.” But she warns that all top Bollywood celebs need to be careful to not put out posts that showcase them as the privileged lot, as this will backfire on them and bring up the topic of nepotism again.

Vivek Sharma is also of the opinion that celebrities should improve and improvise on their PR at this time. “The world is suffering. Not only from the Coronavirus Crisis, but also from depression. There is a lot of fear. During such a time if we film industry people make positive motivational videos, short films and vlogs, we can be a pillar of strength for many people. We can give hope and share hope, umeed, jazbaat aur saath.”

Viral Bhayani brings new insight to this. He points out that celebs do a lot of things for the sake of earnings. And it would be difficult for them to monetise most of the stuff they put on the web. “For Bollywood celebs to make money online is difficult as even if they make short films for YouTube, it takes a lot of time to monetise them.”

He says that workout videos of filmstars are often trending but after a point of time the actors need to balance them out with more different hobby ideas like cooking, singing, family videos, pet videos, Instagram Live appearances and even participation on debate shows online. He suggests that filmstars can also do their own photo shoots and show their fans different looks, fashion trends, gym looks and glamour looks.

Whatever be the case, we pray that our favourite entertainment industry comes out of the terrible situation it’s found itself in. We have our fingers crossed for all those who have lost work and hope they would be able to recover the lost time, stay afloat in news and bounce back when their time returns.

Bollywood goes ga-ga over Preetisheel Singh’s baldie boys!

Housefull 4 poster, Ujda Chaman poster, Bala poster, Preetisheel Singh. (Poster images courtesy - Internet)

Close on the heels of the stupendous success of Nitesh Tiwari’s Chhichhore, National Award-winning makeup and prosthetic character design specialist is coming up with not one, two, but three stunners. And all the three films have taken the film industry imagination by storm.

Housefull 4 poster, Ujda Chaman poster, Bala poster. (Poster images courtesy - Internet)

Yes! We are talking about none other than the three baldie looks of Bollywood, which are the talk of the town from a while now. The wiz behind the looks of Akshay Kumar as Bala in the Farhad Samji-directed Housefull 4, Ayushmann Khurrana in Amar Kaushik’s movie Bala and Sunny Singh in Abhishek Pathak’s Ujda Chaman, is look designer Preetisheel Singh.

Preetisheel Singh - Pic 15

What has particularly surprised many, is the fact that inspite of all the three looks being of men going bald, Preetisheel has deftly designed them in a way that all of them look ending different on the screen. While Akshay has an imposing mouche to go with the look, Ayushmaan has a receding hairline, and Sunny Singh has a moustache and stubble to match his balding look.

It can be noted here that Preetisheel even received accolades for her transformational look makeovers in movies like Padmaavat, Mom, 102 Not Out, Mulk and Thackeray some time ago.

Bala poster, Ujda Chaman poster, Houseful poster, Preetisheel Singh. (Poster images courtesy - Internet)

She is now excited for her forthcoming releases which include an interesting mix of movies like the Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.

What’s more! The talented lady is also preparing to launch the ‘Preetisheel School of Character Design’ at her new sprawling office and workshop of her company ‘Da Makeup Lab’ at Versova, Mumbai.

 

Chhichhore and Bala bring accolades for look designer Preetisheel Singh

Preetisheel Singh - Pic 15

If the trailer of Nitish Tiwari’s Chhichhore and teaser of Amar Kaushik’s Bala are anything to go by, the audiences are in for a visual treat in terms of look transformations of the main cast. And the lady behind the looks of the entire lead cast in the films — India’s numero uno makeup, hair and prosthetic designer Preetisheel Singh — has good reason to feel proud.

Both the movies have actors in their aging avatars and Preetisheel’s work has been receiving a new wave of accolades, after all the recognition it received earlier for films like Padmaavat, Bajirao Mastani, Andhadhun, Mom, Mulk, 102 Not Out, Thackeray and many others.

“Look transformations are an integral part of the storylines of both these movies, and it was a challenge and responsibility for me to make them look convincing and believable. I am so happy people are appreciating my work,” says a modest Preetisheel, who’d won the ‘National Film Award for Best Makeup’ for her very first film — the pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak.

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She makes it a point to thank the filmmakers of all her movies for putting their trust and faith in her work. “Without their faith, I wouldn’t have been able to do all this,” she says. Having taken her career graph a few steps further towards more recognition and glory, the lady has no time for a breather. The next few months have her working on a dozen films back-to-back, as well as starting the ‘Preetisheel School of Character Design’ at Versova, Mumbai.

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Some of the forthcoming movies in her kitty include the Akshay Kumar-starrer Housefull 4, Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay’s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions’ Tuesdays and Fridays.

Preetisheel Singh - Pic 23

After Padmaavat, 102 Not Out, Preetisheel Singh wants aliens for Bollywood

Preetisheel Singh at work in her studio Da Makeup Lab. - Pic 1.

The list of achievements for National Award-winning makeup and prosthetics designer Preetisheel Singh haven’t stopped from the day she set foot in the world of make-believe.

Preetisheel Singh at work in her studio Da Makeup Lab. - Pic 2.

“They say, Bollywood is a place where dreams are made. So what better than a profession which helps makes those dreams a reality,” quips Preetisheel, who has designed the looks of actors for some of the topmost movies in Bollywood like Umesh Shukla’s 102 Not Out and Sajid Nadiadwala’s Housefull 3, along with Sanjay Leela Bhansali’s Bajirao Mastani and Padmaavat.

Preetisheel Singh at work with prosthetics.

Her work for the pre-Mughal epic Nanak Shah Fakir directed by Sartaj Singh Pannu bagged her the coveted National Film Award for Best Makeup, while her talent will soon be showcased again in Anubhav Sinha’s Mulk, where Rishi Kapoor will appear in the look of a devout Muslim. Then there is the Nawazuddin Siddiqui-starrer Thackeray — the biopic on Shiv Sena supremo Balasaheb Thackeray, presented by Sanjay Raut and directed by Abhijit Panse.

Preetisheel Singh working on makeup of a ghost on the sets of The House Next Door.

So what does it take to create different looks? “Prosthetic has a lot of parts involved in it. You first take the life cast of the actor in 3D measurement after which you sculpt and make moulds, running silicon pieces in it,” explains Preetisheel.

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“The silicon pieces are then applied on the actor and are merged with the actor’s skin so that it doesn’t look artificial. So tomorrow if a filmmaker comes up and has the requirement for an alien creature, we can do it. In fact, it will be good fun and I’d love to create aliens for Bollywood.”

Preetisheel Singh gets the Power Brands Award.

Is the whole process very time-consuming? “When we look at characters with prosthetics on screen, we do not realize how much time and effort goes behind the scenes. The whole process involves a lot of visualization, planning, detailing, art and finally time. But the end result is worth the energy spent,” she concludes with a smile.

Preetisheel Singh collage 4

Senior film journalist Chaitanya Padukone injured on Salman Khan’s TV show sets

Following the wrap-up of the Dus Ka Dum Sony TV press-conference on Monday night, addressed by actor-host Salman Khan, senior film journalist Chaitanya Padukone had a nasty accidental fall from the reality-show elevated stage-sets into a freak vacant space at Film City, Mumbai.

Bollywood journalist Chaitanya Padukone

With a deep bleeding gash-wound on his right knee, Chaitanya was administered first-aid and later rushed by fellow film journalist Bharati Dubey, to a nearby hospital, where he was required to undergo multiple surgical stitches and medical treatment.

Currently he is discharged and gradually recovering. Incidentally, Chaitanya happens to personally know Salman even before the mega-star-actor made his acting debut with the movie Biwi Ho Toh Aisi (1988).

Wishing Chaitanya a speedy recovery.

 

Makeover whiz Preetisheel Singh receives rave reviews for 102 Not Out

Preetisheel Singh working on Amitabh Bachchan's look on the sets of 102 Not Out. Pic 2.Basking in the glory of the success of 102 Not Out, its makeup, hair and prosthetic designer Preetisheel Singh is almost in a daze from a week. The Amitabh BachchanRishi Kapoor starrer brilliantly directed by Umesh Shukla has been a runaway hit with audiences and critics alike.

Preetisheel Singh working on Rishi Kapoor's look on the sets of 102 Not Out. - Pic 3

Ace film reviewer Kunal Guha of Mumbai Mirror points out that both (Bachchan and Kapoor) “internalize their screen personas to an extent that one often forgets the actors are under the layers of prosthetic.”

Preetisheel Singh working on Amitabh Bachchan and Rishi Kapoor's look on the sets of 102 Not Out.

“Speaking of which, makeup and prosthetic artiste Preetisheel Singh is meticulous in her vision and execution and drafts faces that elaborately convey both their personalities. Even the strands of hair that sits on their head seem to be custom-woven to the brief—the father’s — unkempt and carefree, while the son’s — usually neatly parted, keeping with his orderly manner,” he writes.

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Bollywood Hungama echoes, “The review would be incomplete without the mention of Preetisheel Singh’s makeup, hair and prosthetic. She gives a great look to both the veteran actors which also turns out to be the film’s USP.”

Preetisheel Singh collage 3

Covering Preetisheel for News18, journalist Mugdha Kapoor Safaya says, “It would be an understatement to only call her a makeup and prosthetic artiste. Perhaps, the term makeover whiz seems more appropriate.”

Amitabh Bachchan and Rishi Kapoor in 102 Not Out. (Image courtesy - Google)

“While Amitabh Bachchan and Rishi Kapoor are to be credited for getting into the vibe of the characters, prosthetic artiste Preetisheel Singh deserves credit for the amazing physical transformation the actors underwent. With each look that she designs, Preetisheel provides an accurate physical aid to the characters being portrayed,” writes Urban Asian journalist Diana Lydia Parmar on social media.

Preetisheel Singh working on Amitabh Bachchan's look on the sets of 102 Not Out.

“I’m humbled by the stupendous praise. 2018 has been a breathtakingly amazing year for me,” says Preetisheel, who emerged Bollywood’s No.1 look designer after she curated the looks for Ranveer Singh, Shahid Kapoor and Deepika Padukone in Sanjay Leela Bhansali’s blockbuster Padmaavat.

Preetisheel Singh working on Rishi Kapoor's look on the sets of 102 Not Out. - Pic 4

This year also saw the re-release of the Sartaj Singh Pannu-directed Nanak Shah Fakir which got Preetisheel the National Film Award for Best Makeup. But the lady has no time to slow down. Her work will soon be showcased in the Harshvardhan Kapoor-starrer Bhavesh Joshi Superhero directed by Vikramaditya Motwane, followed by the Nawazuddin Siddiqui-starrer Thackeray — the biopic on Shiv Sena supremo Balasaheb Thackeray, presented by Sanjay Raut and directed by Abhijit Panse. For Preetisheel, it looks like the year has just begun.

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Rishi Kapoor calls makeup and prosthetic designer Preetisheel Singh a magician!

Recently, while preparing for the shoot of Umesh Shukla’s 102 Not Out, makeup, hair and prosthetic designer Preetisheel Singh got busy working on the look of veteran actor Rishi Kapoor.

Preetisheel Singh collage 2

The much-awaited film has Kapoor playing a 75-year-old grumpy son to a 102-year-young cheerful Amitabh Bachchan. Its trailer and songs, including Badumbaa and Bachche Ki Jaan Loge Kya, are already a hit.

Preetisheel Singh gets the Power Brands Award

“Rishi Sir said he found the look seamless and flawless,” recalls Preetisheel. Saying that it looked extremely real, the veteran actor called her a “magician”. “A comment so flattering from a person of his talent and stature is something I will cherish for life,” quips the makeover wiz.

Preetisheel Singh working on Rishi Kapoor's look on the sets of 102 Not Out. - Pic 3

It’s been a roller coaster ride for Preetisheel this year. After garnering acclaim for her work in Sanjay Leela Bhansali’s Padmaavat where she designed the looks for the complete cast along with Ranveer Singh, Shahid Kapoor and Deepika Padukone, she went on to win the Power Brands – Bollywood Film Journalists Award too.

Preetisheel Singh collage 1

Meanwhile, her film Nanak Shah Fakir, which bagged her the National Film Award for Best Makeup, has been re-released by Viacom18 Motion Pictures, albeit amidst controversy.

Preetisheel Singh - Pic 9

Next, the lady is looking forward to Vikramaditya Motwane’s  Bhavesh Joshi Superhero starring Harshvardhan Kapoor and working on Nawazuddin Siddiqui’s look for the Abhijit Panse-directed movie Thackeray; the biopic on Shiv Sena supremo Bal Thackeray.

 

Consistent communication is the key to good PR

Dale Bhagwagar - Bollywood's only PR guru (6)

Dale Bhagwagar, Bollywood publicist

 

POINTERS: National Award-winning make-up, hair and prosthetic designer Preetisheel Singh

 

POINTERS: National Award-winning make-up, hair and prosthetic designer Preetisheel Singh

After Bajirao Mastani, Sanjay Leela Bhansali repeated Preetisheel Singh for Padmaavat. She designed the looks of all the main starcast including Ranveer Singh (as the evil ruler Alauddin Khilji), Deepika Padukone (as the legendary queen Padmavati) and Shahid Kapoor (as the Rajput ruler Ratan Singh). Viewers and film critics alike, have been awestruck with the results, with Preetisheel emerging the undisputed No.1 make-up, hair and prosthetic designer in the film industry.

 

Videos of look tests during the making of Padmaavat:

 

Preetisheel has created the look for Nawazuddin Siddiqui’s in Thackeray… the biopic being made on Shiv Sena supremo Balasaheb Thackeray. Its teaser was released some time ago by Uddhav Thackeray and Amitabh Bachchan and received widespread critical acclaim.

 

She has worked on Nawazuddin Siddiqui’s look earlier too in the movie Mom, where her make-up and prosthetic work was highly appreciated.

 

She has also done the make-up and prosthetic for actors in films like Shivaay, Haider, Hawaizaada, Housefull 3, Rangoon, Brothers, Talwar, Finding Fanny, Parched, Ghayal Once Again and the Tamil/Hindi film 24.

 

After Padmaavat, Preetisheel has also begun receiving a lot of offers down South. She has just accepted a Tamil film called Boomerang, where she is working on the looks for famous Tamil actor Ataharvaa Murali.

 

She received the ‘National Film Award for Best Makeup’ for the pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak, wherein she designed the looks for all the characters in the movie. The film has recently re-released through Viacom18 Motion Pictures amid controversy.

 

Preetisheel’s work of creating believable ghost-figures for the recent horror film House Next Door has also been praised a lot. The film, which released in three languages (as House Next Door in Hindi, as Aval in Tamil and Gruham in Telugu) garnered critical acclaim and once again earned a lot of positive reviews for her work.

 

For the upcoming film 102 Not Out directed by Umesh Shukla, Preetisheel has designed the looks for Amitabh Bachchan as a 102-year-old man, as well as for Rishi Kapoor playing his 75-year-old son. Its trailer and songs, including Badumbaa and Bachche Ki Jaan Loge Kya are already a rage.

 

She is also working on Rishi Kapoor’s look of a devout Muslim in Anubhav Sinha’s Mulk. https://bit.ly/2zvKG5a

 

Apart from Mulk and Thackeray, her work as a make-up, hair and prosthetic designer will soon be showcased once again in upcoming movies such as Vikramaditya Motwane’s film Bhavesh Joshi Superhero starring Harshvardhan Kapoor. Its teaser has just released, revealing Harshvardhan’s look as a vigilante and it’s been the talk of the town.

 

After this, there is Pal Pal Dil Ke Paas, the debut film of Sunny Deol’s son Karan Deol.

 

Preetisheel has also set up India’s first make-up and prosthetic lab called Da Makeup Lab and her goal is to bring standards of make-up and prosthetic in India at par with Hollywood.

Preetisheel Singh - Pic 10

 

Should Paid Media journalists be credited as copywriters?

As appeared on PRmoment.in

Courtesy: http://www.prmoment.in/category/pr-news/should-paid-media-journalists-be-credited-as-copywriters

PR news of film publicist Dale Bhagwagar

At the onset, I should mention that the views in this article are my own and the website may or may not agree with them. I am starting with this disclaimer because what I am about to say could ruffle feathers. And if it doesn’t, then a lot of media people should delve into their conscience.

Journalism, like PR, is turning into a business
We all know that in the advertising, marketing and PR agencies, copywriters write phrases, articles and catch-lines in favour of clients who pay them. In contrast to the copywriter, the more ethical profession of journalism has always attracted a lot of respect and privileges.

However, in recent times, most top newspapers are officially selling editorial space under what has come to be known as Paid Media or Paid News. The profession of journalism is turning into a business; just like my PR business. It’s simple — the client pays and in return, good things are written about and publicized, mostly in a glorifying and exaggerated manner. The moneyed people and projects get premium coverage, while others, more than often, are treated as not important; however credible their news might be.

Be a thought leader, not a policy follower
What I am about to ask now, is a very difficult question to ask. A painful one too. But someday soon, someone or the other is gonna ask it. So I thought to myself, why not me and why not today. Now the tricky part here (or call it irony) is that I am a publicist. And publicists are supposed to be media manipulators, spin doctors, schemers. Yeah, of course I am all that and more. I do plan, plot and plug content all the time.

Just like the old-school journalists, PR guys are the ones who build perceptions, remodel and remake them. Which makes them no less than thought leaders. And from this perspective, I feel I am equally suited to ask this question: Should Paid Media journalists be termed and credited as copywriters?

Wither credibility!
When it all started a couple of years ago in the print media, it began with one paper beginning to charge for articles and editorial space. Over the years, when it met success, one by one, other print media began charging for articles. They began competing in best pricing for articles and features in bulk packages. Patronising the payers and giving second-hand treatment to the non-payers became management policy. And now a time has come when it is difficult for the reader to differentiate news from promotional pieces. More than often the advertisement departments dictate terms to the editorial departments.

Print Media losing its spine
How ethical is it for a journalist (one who is expected to be fair in reporting news) to write an objective piece when his/her publication is busy patronising the paying clients? Of course, it’s not possible and many-a-times, ethics are dammed. And since quite a few media are involved in this whole process, the remaining ones stay quiet about it. I’d say, both Paid Media and their silent watchers have lost their spine. It’s just a matter of time and a spark, when some top celebrity, politician or business tycoon points fingers at them, followed a national controversy about it.

Print journalists turning into puppets?
When a journalist echoes the sentiments of the paper’s advertising department, or of the owner of the publication, one does wonder if the journalist is actually a copywriter… or maybe, even a marketeer or publicist. And the list of such articles and journalists is growing.

A wake up call
If the Paid News trend goes on, the day wouldn’t be far when there will emerge a lot of Donald Trumps in India, crying foul and screaming, ‘Fake News, Fake News’ for what he calls “dishonest and biased media.” Let this article written by a PR on a PR website be a wake-up call for print journalists.

Last but not the least, do note that this piece is not written to make any scribe feel bad. Its written for the sake of insight and introspection. Take it in the right spirit. If you are a journalist and can’t change the industry, maybe you could change yourself or the job. After all, self-esteem and pride has been synonymous with journalism and I am sure every aspiring journalist gets into the profession to enjoy that pride.

After spending your years in journalism, when you grow old and your grand-children ask you, ‘how did you contribute in the great information and communication age?’, you don’t want to say, ‘I pushed articles for those who paid’.

Dale Bhagwagar is a Bollywood publicist and the founder of Dale Bhagwagar Media Group www.dalebhagwagarmediagroup.com

Comments:

Wow, what an exposing article. Mr Dale Bhagwagar is what PR legends are made of. He talks about things no PR ever dared. Super entertaining fellow too. Talks as if he is narrating stories. I have him on my google alert from where I got this article. Follow this guy like a bhakt. Once he came to my college for a guest lecture. Before the lecture our coordinator said she will show a video of Mr Dale before he comes in to talk. Lights went off and someone entered the classroom and sat besides me. When the video was playing the guy told me this speaker in the video is talking bullshit. I said yes and wondered who this colleague was. When the lights came on I realised that it was the speaker sitting besides me. He cheekily smiled at me and went to the podium to begin his talk. I was so so so embarrassed. He turned out to be mind blowing in his lecture. Best part was when he was asked about PR fees. All wanted to know what a Bollywood PR charges. He told us his fees bindaas. That was something no one had told us earlier. We also never knew Bollywood PRs were so well paid. Some decided on our profession only after he spoke at my college. But throughout the talk, I was only wishing he wouldn’t mention about that yes I’d said.

By Pragati Naik on 31st January 2018 – 2:43PM

Hopefully your spark of idealism will trigger a few fires and spread more light in a grey world of media/ journalism

By Sam Mohan on 31st January 2018 – 10:01PM

Yes. Paid journalists should be called copywriters But TOI Where the practice of paid news began, has done the reverse . In the good old days the bylines of the journalists would be followed by Times News Network And that of the writer reporting for the response department would have No Such tagline. This would at least differentiate between a journo and a response department writer. But now that distinction has been removed: so now response writers bylines that say ABC@timesgroup.com the same as that of a journalist.

By Kingshuk Nag on 31st January 2018 – 10:10PM

Dale has been the most famous Entertainment PR man from almost two decades in Bollywood. Plus, his website says, he was a journalist for more than a decade before he turned PR (something I wasn’t aware about earlier. I know Dale personally but he never mentioned that). I guess that also makes him the longest surviving journalist-publicist in Bollywood. No wonder he writes with so much depth about journalism and the malice of paid news. Top class analysis for the best in the business. You got an ace, PR Moment. This article is indeed a revelation for all those you do not have the privilege of knowing how corrupt journalism is becoming.

By Pramod Muntashir on 1st February 2018 – 9:29AM

the difference between dale and other bollywood publicists is that dale is fiercely loyal to his clients, even to the extent of defending them publicly and so many times in media. he is fearless. this has been his nature from many years. and that is why “ironically” (as this article says, he is also the one to point out media’s follies in paid journalism. sach bolna koi dale se seekhe. journalists have a lot to learn from this publicist.

By Ritwik Banerjee on 1st February 2018 – 11:56AM

I have know Dale from the days where he started his career in journalism. I remember an occasion, where I was alone with him in the editors cabin. He said, you know what I will one day be on the other side of the table. And surely he has come a long way. He has the guts to go ahead and voice his opinion. Well Dale, paid not paid, journalism will always have a grey side to it. It has been for decades, the growing technology of media and the medium, no one will have any control on it whatsoever. The upper hand will always be with the one who will negotiate well, how glorified it projects the news and last but not the least protects well if backfired. And don’t worry about the grand children as they will be much much ahead to all of us, to even question such credibility of ours.

By Vineeta Banerjee on 2nd February 2018 – 4:25PM

Good going Dale! Since we also worked together so you know I was a Journalist in the era when we worked for RP (Reader’s Pleasure) & not PR.
I left journalism the day I was asked to write a ‘positive’ article about an actor who was also a criminal & a bad human being.
Then I was on the other side, as a Film Producer/Director & I was asked to pay for every word that was printed. Couldn’t afford so my films suffered because of lack of promotion.
Today “Twitter” is Journalism, paid or otherwise! Every tweet makes a story for a journalist & sometimes its retweeted for publicity. Either way nothing is believable anymore!

By Pammi Somal on 2nd February 2018 – 6:49PM

 

Do it like Dale does

Wake up my fellow Bollywood PRs. And do it like Dale does. 😉

1 Press Release / 24 hours / 40 links for my PR client Preetisheel Singh. Covering leading outlets The Times of India (and no, Dale never does Paid News. NEVER), Mid-Day, Times Now, Zoom, Santa Banta, Koi Moi, Yahoo, Bollywood Dhamaka, Bollywood Hungama and The Quint. And this without the help of UNI, PTI, IANS or Reuters.

high score

https://timesofindia.indiatimes.com/hindi/padmaavats-makeup-hair-and-prosthetic-designer-preetisheel-singh-on-cloud-nine/articleshow/62754520.cms

 

https://www.mid-day.com/articles/make-up-artist-preetisheel-singh-on-cloud-nine-after-padmaavats-success/19009193

 

http://www.timesnownews.com/entertainment/news/bollywood-news/article/meet-preetisheel-singh-the-woman-behind-ranveer-singh-and-shahid-kapoor-padmaavat-look/194943

 

http://www.santabanta.com/bollywood/123890/padmaavats-makeup-hair-and-prosthetic-designer-preetisheel-singh-on-cloud-nine/

 

http://www.koimoi.com/bollywood-news/padmaavat-makeup-designer-preetisheel-singh-the-magician-behind-ranveer-singh-shahid-kapoors-look/

 

https://in.style.yahoo.com/pics-ranveer-singh-transformation-alauddin-092141858.html

 

http://www.bollywooddhamaka.in/editors-choice/padmaavats-makeup-hair-prosthetic-designer-preetisheel-singh-cloud-nine/27617

 

http://www.bollywoodhungama.com/news/features/behind-scenes-heres-ranveer-singh-transformed-alauddin-khilji-intense/

 

https://www.thequint.com/entertainment/bollywood/in-pics-ranveer-singh-as-alauddin-khilji

 

http://bolly-buzz.com/make-up-artist-preetisheel-singh-on-cloud-nine-after-padmaavats-success/

 

http://bollywoodleaks.webcam/the-magician-behind-ranveer-singh-shahid-kapoors-look/

 

http://goantimes.titosgoa.com/2018/02/02/padmaavat-makeup-designer-preetisheel-singh-the-magician-behind-ranveer-singh-shahid-kapoors-look/

 

http://media.einnews.com/article/430292161/bc0hIQsvHld1UQMN?lcf=uCaffwibILObcluV8tYv0g%3D%3D

 

http://news.titosgoa.com/2018/02/02/padmaavat-makeup-designer-preetisheel-singh-the-magician-behind-ranveer-singh-shahid-kapoors-look/

 

http://punjabnewsexpress.com/entertainment/news/padmaavat-s-makeup-hair-and-prosthetic-designer-preetisheel-singh-on-cloud-nine-72052.aspx

 

http://seelatestnews.in/2018/02/02/behind-the-scenes-heres-how-ranveer-singh-transformed-into-alauddin-khilji-and-it-is-intense/

 

http://takesongs.com/2018/02/02/padmaavat-makeup-designer-preetisheel-singh-the-magician-behind-ranveer-singh-shahid-kapoors-look/

 

http://thewesternvolunteer.com/?p=754

 

http://udtasocialofficial.com/the-magician-behind-ranveer-singh-shahid-kapoors-look/

 

http://www.bcinemaindia.in/2018/02/make-up-artist-preetisheel-singh-on.html

 

http://www.bollywoodcharcha.com/news/make-up-artist-preetisheel-singh-on-cloud-nine-after-padmaavats-success

 

http://www.elfaworld.com/post/padmaavats-makeup-hair-and-prosthetic-designer-preetisheel-singh-on-cloud-nine

 

http://www.expresskerala.com/makeup-designer-preetisheel-singh-ranveer-singh-shahid-kapoors-look.html

 

http://www.goternews.com/behind-the-scenes-heres-how-ranveer-singh-transformed-into-alauddin-khilji-and-it-is-intense/

 

http://www.ibtimes.co.in/padmaavats-makeup-hair-prosthetic-designer-preetisheel-singh-cloud-nine-behind-scene-images-759211

 

https://medium.com/@bollywoodfeatures/padmaavats-makeup-hair-and-prosthetic-designer-preetisheel-singh-on-cloud-nine-1cf751be6bae

 

http://www.mytimesnow.com/news/bollywood/601408/make-up-artist-preetisheel-singh-on-cloud-nine-after-padmaavat-039-s-success

 

http://www.updatesnews.com/behind-the-scenes-heres-how-ranveer-singh-transformed-into-alauddin-khilji-and-it-is-intense/

 

http://www.zoom4india.com/entertainment/bollywood/item/254025-make-up-artist-preetisheel-singh-on-cloud-nine-after-padmaavat-s-success.html

 

https://atfunky.com/toyou/rssfeed/view/24188/behind-the-scenes-heres-how-ranveer-singh-transformed-into-alauddin-khilji-/

 

https://bollwoodleaks.000webhostapp.com/the-magician-behind-ranveer-singh-shahid-kapoors-look/

 

https://bollywoodlife.mb4uli.com/category/padmaavats-makeup/

 

https://brightnews2016.blogspot.in/2018/02/padmaavats-makeup-hair-and-prosthetic.html

 

https://moviemagic.in/awards/behind-the-scenes-heres-how-ranveer-singh-transformed-into-alauddin-khilji-and-it-is-intense-20180202-37151

 

https://moviemagic.in/trending/the-magician-behind-ranveer-singh-shahid-kapoors-look-20180202-37073

 

https://mumbainewsnetwork.blogspot.in/2018/02/padmaavats-makeup-hair-and-prosthetic.html?q=preetisheel

 

https://www.filmiwiki.com/make-up-artist-preetisheel-singh-on-cloud-nine-after-padmaavats-success/

 

https://www.filmiwiki.com/padmaavat-makeup-designer-preetisheel-singh-the-magician-behind-ranveer-singh-shahid-kapoors-look/

 

https://www.funclickearn.com/2018/02/02/make-up-artist-preetisheel-singh-on-cloud-nine-after-padmaavats-success/

 

https://www.indianspice.co.za/2018/02/photos-ranveer-singhs-transformation-into-alauddin-khilji/

 

 

Bollywood journalists need to save themselves from Paid Media says Bollywood PR Dale Bhagwagar

Dale - PR Moment article

Link to the article in PR Moment